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The nightmare of materialism, which has turned the life of the universe into an evil, useless game, is not yet past it holds the awakening soul still in its grip.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Evil
Materialism
Universe
Awakening
Past
Nightmare
Stills
Holds
Still
Useless
Soul
Turned
Life
Game
Games
Grip

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Painting took on a fabulous strength and splendor the object was discredited as an indispensable element of the picture.
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In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
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An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
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As a picture painted in yellow always radiates spiritual warmth, or as one in blue has apparently a cooling effect, so green is only boring.
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The work of art is born of the artist in a mysterious and secret way. From him it gains life and being. Nor is its existence casual and inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life.
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Every phenomenon can be experienced in two ways. These two ways are not arbitrary, but are bound up with the phenomenon – developing out of its nature and characteristics : Externally – or – inwardly.
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The arts are encroaching one upon another, and from a proper use of this encroachment will rise the art that is truly monumental.
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Every artist, as child of his age, is impelled to express the spirit of his age.
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Absolute green is the most restful color, lacking any undertone of joy, grief, or passion. On exhausted men this restfulness has a beneficial effect, but after a time it becomes tedious.
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Everything starts from a dot.
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Each period of a civilisation creates an art that is specific in it and which we will never see reborn. To try and revive the principles of art of past centuries can lead only to the production of stillborn works.
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With few exceptions, music has been for some centuries the art which has devoted itself not to the reproduction of natural phenomena, but rather to the expression of the artist's soul, in musical sound.
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In every painting a whole is mysteriously enclosed, a whole life of tortures, doubts, of hours of enthusiasm and inspiration.
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Generally speaking, color directly influences the soul.
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The artist must train not only his eye but also his soul.
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The world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.
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Barriers are continually being made out of... new values which have overturned the barriers of the past. Thus one sees that it is not basically the new value that is of prime importance, but rather the spirit that is revealed in this value, as well as the freedom necessary for this revelation.
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Everything that is dead quivers. Not only the things of poetry, stars, moon, wood, flowers, but even a white trouser button glittering out of a puddle in the street... Everything has a secret soul, which is silent more often than it speaks.
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Every work of art is the child of its time, often it is the mother of our emotions.
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The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.
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