Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
Bernard [Leach] was making pots which were duplicates of his drawing, and that was a difference of approach, which I think is quite critical to these two men [Leach and Shoji Hamada].
Warren MacKenzie
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Warren MacKenzie
Age: 94 †
Born: 1924
Born: February 16
Died: 2018
Died: December 31
Artist
Ceramicist
Kansas City
Missouri
Warren Mackenzie
Warren Mac Kenzie
Quite
Pots
Making
Duplicate
Two
Pot
Men
Drawing
Think
Critical
Thinking
Approach
Duplicates
Difference
Leach
Differences
Bernard
More quotes by Warren MacKenzie
Alix [MacKenzie] was a looser, more linear painter, dealing with amoebic forms, let's say, close to [Joan] Miró as opposed to my more static exploration of space.
Warren MacKenzie
We stayed on at the Institute [Chicago called the School of Design] because that was - I don't know, you start at one place and you stay there, I guess. Inertia takes over.
Warren MacKenzie
I was born in Kansas City, Missouri, and I do know from what my parents tell me that I was always interested in art, although not very good at it.
Warren MacKenzie
We could make our own pots on the weekends and in the evenings, and we used to do that, and these would be fired in the big kiln, along with all the standard ware that we were producing, but this wasn't quite what we had expected when we read The Potters Book.
Warren MacKenzie
I used to think [Shoji] Hamada never drew, until there was a book by Bernard [Leach] published about his work [Hamada: Potter, Tokyo New York: Harper & Row, 1975] and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.
Warren MacKenzie
We [me and my wife] went back to St. Paul, worked for a year - again, I guess I would have to admit now, doing a rather shaky job of teaching people - but at the end of that year we returned to England and worked in the [Bernard] Leach Pottery for two and a half years.
Warren MacKenzie
I thought, oh, I'm going to be a painter. And eventually my family had moved near Chicago, and when I graduated from high school, I went to the Chicago Art Institute, and it was there that I thought, well, now I'm going to be a painter.
Warren MacKenzie
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago but the Field Museum of Natural History, the Oriental Museum on the south side.
Warren MacKenzie
[St. Ives] is a wonderful place to live. It's a small fishing town and one can live there inexpensively. There's a sympathetic population of other artists, where you can exchange ideas, and it's quite rich in artistic thought.
Warren MacKenzie
Bernard [Leach] was, as I said , trained as a painter and an etcher.
Warren MacKenzie
[ Bernard] Leach was the one who taught us that, because he, too, had started out as a painter and an etcher and had only gotten into ceramics by chance when he was in Japan trying to teach the Japanese how to do etching, which, as he said, they were not ready for yet.
Warren MacKenzie
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a human being or any animate object, and this could be directly translated into thinking about proportion and accent, rhythm in a pot form.
Warren MacKenzie
Every day we'd trudge up the hill - it was a three-quarter-mile walk up this steep hill to the Leach Pottery, and we would take our lunch with us and generally, I guess, make a nuisance of ourselves.
Warren MacKenzie
Hilda Reiss was the head of the Everyday Art Gallery. Hilda Reiss came from Germany, had trained at the original Bauhaus in Germany, and her training inspired her to think of anything that she liked as art.
Warren MacKenzie
I started to do silk-screen in the early days of my painting training, due to a woman who taught art history at the institute, Kathleen Blackshear. She was interested in silk screen and taught a class that I took.
Warren MacKenzie
We moved up here [to St.Paul with my wife] and started to teach, we very quickly found out we were not equipped either to teach or to run our own pottery, and so we decided that we had to have further training.
Warren MacKenzie
We were more fortunate than most, because [Bernard] Leach had been in America on a lecture tour in 1950, and we made arrangements to travel from America back to England with him on the same boat. It was a very slow boat. I think it took us about seven days to cross the Atlantic.
Warren MacKenzie
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting and no figure drawing, still-life drawing, various things, they miss a great deal.
Warren MacKenzie
When we finished [training with my wife] we came to St. Paul, because St. Paul was the first place where we got a job offer and we needed some sort of a job to earn some money in order to set up our own studio. It's rather ironic that this job offer came originally through the Walker Art Center.
Warren MacKenzie
These narrow-footed forms I was making, I thought, gosh, I could push those further, not to construct them the way [Hans] Coper did but to work in my own manner but push it more toward that form. And I learned to do that and enjoyed it for a number of years.
Warren MacKenzie
