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No account of the Renaissance can be complete without some notice of the attempt made by certain Italian scholars of the fifteenth century to reconcile Christianity with the religion of ancient Greece.

Walter Pater

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Walter Pater
Age: 54 †
Born: 1839
Born: August 4
Died: 1894
Died: July 30
Art Critic
Art Historian
Critic
Essayist
Literary Critic
Novelist
Professor
Writer
Walter Horatio Pater
Religion
Account
Certain
Notice
Fifteenth
Without
Attempt
Scholars
Made
Accounts
Reconcile
Complete
Renaissance
Ancient
Greece
Christianity
Scholar
Century
Italian

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But when reflexion begins to play upon these objects... like some trick of magic each object is loosed into a group of impressions - colour, odour, texture... And if we continue to dwell in thought on this world... the whole scope of observation is dwarfed into the narrow chamber of the individual mind.
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The service of philosophy, of speculative culture, towards the human spirit, is to rouse, to startle it to a life of constant and eager observation.
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All art constantly aspires towards the condition of music.
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In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike.
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Through the survival of their children, happy parents are able to think calmly, and with a very practical affection, of a world in which they are to have no direct share.
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Books are a refuge, a sort of cloistral refuge, from the vulgarities of the actual world.
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The way to perfection is through a series of disgusts
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Poetry, at all times, exercises two distinct functions: it may reveal, it may unveil to every eye, the ideal aspects of common thingsor it may actually add to the number of motives poetic and uncommon in themselves, by the imaginative creation of things that are ideal from their very birth.
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For us necessity is not as of old an image without us, with whom we can do warfare it is a magic web woven through and through us, like that magnetic system of which modern science speaks, penetrating us with a network subtler than our subtlest nerves, yet bearing in it the central forces of the world.
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To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life.
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It is always hazardous to express what one has to say indirectly and allusively.
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Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find some universal formula for it.
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What we have to do is to be forever curiously testing new opinions and courting new impressions.
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A sudden light transfigures a trivial thing, a weather-vane, a windmill, a winnowing flail, the dust in the barn door a moment - and the thing has vanished, because it was pure effect but it leaves a relish behind it, a longing that the accident may happen again.
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The Renaissance of the fifteenth century was, in many things, great rather by what it designed then by what it achieved.
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Art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass.
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A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry.
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To the modern spirit nothing is, or can be rightly known, except relatively and under conditions.
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To know when one's self is interested, is the first condition of interesting other people.
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At first sight experience seems to bury us under a flood of external objects, pressing upon us with a sharp and importunate reality, calling us out of ourselves in a thousand forms of action.
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