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And the fifteenth century was an impassioned age, so ardent and serious in its pursuit of art that it consecrated everything with which art had to ad as a religious object.

Walter Pater

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Walter Pater
Age: 54 †
Born: 1839
Born: August 4
Died: 1894
Died: July 30
Art Critic
Art Historian
Critic
Essayist
Literary Critic
Novelist
Professor
Writer
Walter Horatio Pater
Art
Ads
Everything
Pursuit
Object
Objects
Serious
Fifteenth
Century
Consecrated
Religious
Impassioned
Age
Ardent

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To regard all things and principles of things as inconstant modes or fashions has more and more become the tendency of modern thought.
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Great passions may give us a quickened sense of life, ecstasy and sorrow of love, the various forms of enthusiastic activity, disinterested or otherwise, which comes naturally to many of us.
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Why do you always write poetry? Why do you not write prose? Prose is so much more difficult.
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Experience, already reduced to a group of impressions, is ringed round for each one of us by that thick wall of personality through which no real voice has ever pierced on its way to us, or from us to that which we can only conjecture to be without.
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Poetry, at all times, exercises two distinct functions: it may reveal, it may unveil to every eye, the ideal aspects of common thingsor it may actually add to the number of motives poetic and uncommon in themselves, by the imaginative creation of things that are ideal from their very birth.
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In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike.
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All art constantly aspires to the condition of music....In its ideal, consummate moments, the end is not distinct from the means, the form from the matter, the subject from the expression they inhere in and completely saturate each other.
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Has nature connected itself together by no bond, allowed itself to be thus crippled, and split into the divine and human elements? Well! there are certain divine powers of a middle nature, through whom our aspirations are conveyed to the gods, and theirs to us. A celestial ladder, a ladder from heaven to earth.
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The service of philosophy, of speculative culture, towards the human spirit, is to rouse, to startle it to a life of constant and eager observation.
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That sense of a life in natural objects, which in most poetry is but a rhetorical artifice, was, then, in Wordsworth the assertion of what was for him almost literal fact.
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Books are a refuge, a sort of cloistral refuge, from the vulgarities of the actual world.
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In truth, the legitimate contention is, not of one age or school of literary art against another, but of all successive schools alike, against the stupidity which is dead to the substance, and the vulgarity which is dead to form.
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The way to perfection is through a series of disgusts
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A sudden light transfigures a trivial thing, a weather-vane, a windmill, a winnowing flail, the dust in the barn door a moment - and the thing has vanished, because it was pure effect but it leaves a relish behind it, a longing that the accident may happen again.
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A certain strangeness, something of the blossoming of the aloe, is indeed an element in all true works of art: that they shall excite or surprise us is indispensable.
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A book, like a person, has its fortunes with one is lucky or unlucky in the precise moment of its falling in our way, and often by some happy accident counts with us for something more than its independent value.
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Every intellectual product must be judged from the point of view of the age and the people in which it was produced.
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All art does but consist in the removal of surplusage.
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It is always hazardous to express what one has to say indirectly and allusively.
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What we have to do is to be forever curiously testing new opinions and courting new impressions.
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