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It is always hazardous to express what one has to say indirectly and allusively.

Walter Pater

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Walter Pater
Age: 54 †
Born: 1839
Born: August 4
Died: 1894
Died: July 30
Art Critic
Art Historian
Critic
Essayist
Literary Critic
Novelist
Professor
Writer
Walter Horatio Pater
Always
Hazardous
Indirectly
Express

More quotes by Walter Pater

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To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life . . . Not the fruit of experience, but experience itself, is the end . . . For art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake.
Walter Pater
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At first sight experience seems to bury us under a flood of external objects, pressing upon us with a sharp and importunate reality, calling us out of ourselves in a thousand forms of action.
Walter Pater
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Great passions may give us a quickened sense of life, ecstasy and sorrow of love, the various forms of enthusiastic activity, disinterested or otherwise, which comes naturally to many of us.
Walter Pater
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For us necessity is not as of old an image without us, with whom we can do warfare it is a magic web woven through and through us, like that magnetic system of which modern science speaks, penetrating us with a network subtler than our subtlest nerves, yet bearing in it the central forces of the world.
Walter Pater
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A certain strangeness, something of the blossoming of the aloe, is indeed an element in all true works of art: that they shall excite or surprise us is indispensable.
Walter Pater
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Art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass.
Walter Pater
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In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike.
Walter Pater
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What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects.
Walter Pater
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All art does but consist in the removal of surplusage.
Walter Pater
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A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry.
Walter Pater
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One of the most beautiful passages of Rousseau is that in the sixth book of Confessions, where he describes the awakening in him of the literary sense. Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most.
Walter Pater
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The Renaissance of the fifteenth century was, in many things, great rather by what it designed then by what it achieved.
Walter Pater
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Every moment some form grows perfect in hand or face some tone on the hills or the sea is choicer than the rest some mood of passion or insight or intellectual excitement is irresistibly real and attractive for us - for that moment only.
Walter Pater
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That sense of a life in natural objects, which in most poetry is but a rhetorical artifice, was, then, in Wordsworth the assertion of what was for him almost literal fact.
Walter Pater
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Why do you always write poetry? Why do you not write prose? Prose is so much more difficult.
Walter Pater
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No account of the Renaissance can be complete without some notice of the attempt made by certain Italian scholars of the fifteenth century to reconcile Christianity with the religion of ancient Greece.
Walter Pater
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To know when one's self is interested, is the first condition of interesting other people.
Walter Pater
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To the modern spirit nothing is, or can be rightly known, except relatively and under conditions.
Walter Pater
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And the fifteenth century was an impassioned age, so ardent and serious in its pursuit of art that it consecrated everything with which art had to ad as a religious object.
Walter Pater
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Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.
Walter Pater