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Tradition is a prop for social security.

Walter J. Phillips

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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Prop
Props
Tradition
Security
Social

More quotes by Walter J. Phillips

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There is the process of enlarging a watercolour, which actually amounts to copying its good points and improving its bad ones, and is interesting proportionately as the latter increase.
Walter J. Phillips
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Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.
Walter J. Phillips
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The deserving are not always blest. That peculiar attribute known as personality is as potent a factor as genius.
Walter J. Phillips
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It is not in the nature of lenses to tell the whole truth. They are instruments of exaggeration and belittlement.
Walter J. Phillips
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A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
Walter J. Phillips
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While it is emotion that gives an impulse to the landscape painter, it is his style that inspires the critic's praise, and his subject that inveigles the untutored beholder.
Walter J. Phillips
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The public is the tribunal before which all art is judged - not the critics or the academies. The public is the artist's only patron, and has certain fundamental rights. It will submit to education, and will respond to suggestion, but it will not be bullied.
Walter J. Phillips
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A mistake in drawing becomes difficult to detect when the eye is familiar with it.
Walter J. Phillips
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Copying is an art in itself, demanding the greatest technical ability, especially in watercolour. However well done, the copy invariably lacks that nascent, ineffable, but definite quality, provided by the furious enthusiasm with which an original is created, an essential spontaneity that defies reproduction.
Walter J. Phillips
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A painter may be an abandoned mimic at school he copies his teachers, which is only right, but he copies in turn every artist in town, which is not. He may do you that honour.
Walter J. Phillips
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A landscape painting in which composition is ignored is like a line taken from a poem at random: it lacks context, and may or may not make sense.
Walter J. Phillips
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In most natural scenes there is a prevailing colour, which the landscape painter must learn to identify, and which must prevail also in a slightly exaggerated form, in his painting, for the sake of truth, harmony and unity.
Walter J. Phillips
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Etching will suggest subtle variations of tone, the most delicate shadings, all with black lines, which, as far as lines go, are unsurpassed for sheer beauty.
Walter J. Phillips
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Water is the most expressive element in nature. It responds to every mood from tranquility to turbulence.
Walter J. Phillips
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A horizontal or vertical line lacks energy, compared with one that deviates from either. The difference between these graphic expressions is the difference between movement and repose.
Walter J. Phillips
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It is evident that no derivative laws can teach the young student to see and apprehend colour in nature. His perception needs development as urgently as his muscles.
Walter J. Phillips
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The true artist and the sane collector never will tolerate insincerity and impudence.
Walter J. Phillips
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Rhythm is as necessary in a picture as pigment it is as much a part of painting as of music.
Walter J. Phillips
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Style is instinctive and few achieve it in a notable degree. Its development is not hastened by instruction. It comes or it doesn't. It will take care of itself.
Walter J. Phillips
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Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive their use precludes any chance of adventuring in this interesting field.
Walter J. Phillips