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The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly.
Walter J. Phillips
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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Must
Impression
Dearly
Considered
Regards
Woods
Texture
Regard
Occasional
Possibility
Wood
Expression
Grain
Form
Soft
Prints
Hard
Print
Visibility
More quotes by Walter J. Phillips
In large studio paintings... composition, or arrangement, may be better studied, and nearer perfection, washes may be more suavely graded.
Walter J. Phillips
Drawing is the representation of form - the graphic expression of a visual experience.
Walter J. Phillips
Style is instinctive and few achieve it in a notable degree. Its development is not hastened by instruction. It comes or it doesn't. It will take care of itself.
Walter J. Phillips
The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter.
Walter J. Phillips
Subject has the variety of life.
Walter J. Phillips
The student's ambition should be to become a painter's painter, rather than a popular painter. The approbation of fellow artists based on sympathy and understanding is manifestly better than the fickle or fast homage of the greater public.
Walter J. Phillips
It is remarkable how very individual technique becomes in watercolour. Every man of personality finally arrives at a method peculiarly his own, as unique as his own fingerprint.
Walter J. Phillips
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
Walter J. Phillips
Colour is as variable and evanescent in the form of pigment as in visible nature.
Walter J. Phillips
Tradition is a prop for social security.
Walter J. Phillips
The beauties of conception are always superior to those of expression.
Walter J. Phillips
It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size.
Walter J. Phillips
The true artist and the sane collector never will tolerate insincerity and impudence.
Walter J. Phillips
The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.
Walter J. Phillips
While it is emotion that gives an impulse to the landscape painter, it is his style that inspires the critic's praise, and his subject that inveigles the untutored beholder.
Walter J. Phillips
Many of the old masters of watercolour painted from notes, with enthusiasm either unabated or renewed. It is hard to assume the same degree of concentration in the studio, but not impossible.
Walter J. Phillips
A landscape painting in which composition is ignored is like a line taken from a poem at random: it lacks context, and may or may not make sense.
Walter J. Phillips
It is the sense of unfamiliar envelopment that is impressive, whether in the living grays of hoarfrost, the crimson of the heavens at sunset, or the golden suffusions of autumn.
Walter J. Phillips
The play of sunlight is amusement enough for a lazy man.
Walter J. Phillips
There must be a judicious arrangement of all the parts. Considered conversely, the artist's task is to fill his panel with a design that conforms to its shape and is beautiful in itself.
Walter J. Phillips