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When technique is obtrusive it becomes mere mannerism, a conscious striving for effect. It is only a means to an end - the manner of putting paint to paper. It hardly embraces the expressive side of painting.
Walter J. Phillips
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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
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Strive
Mannerism
Painting
Putting
Mannerisms
Becomes
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Embrace
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Technique
More quotes by Walter J. Phillips
A painter may be an abandoned mimic at school he copies his teachers, which is only right, but he copies in turn every artist in town, which is not. He may do you that honour.
Walter J. Phillips
Many a painter has lived in affluence, in high esteem, who lacked the divine spark, and who is utterly forgotten to-day.
Walter J. Phillips
The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent.
Walter J. Phillips
Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky - what a travesty!
Walter J. Phillips
Subject has the variety of life.
Walter J. Phillips
Take away a painter's vanity, said a famous landscape painter, and he will never touch a pencil again.
Walter J. Phillips
Humility counts for much, but it may be that vanity does not dispossess that admirable quality.
Walter J. Phillips
In most natural scenes there is a prevailing colour, which the landscape painter must learn to identify, and which must prevail also in a slightly exaggerated form, in his painting, for the sake of truth, harmony and unity.
Walter J. Phillips
In large studio paintings... composition, or arrangement, may be better studied, and nearer perfection, washes may be more suavely graded.
Walter J. Phillips
A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others.
Walter J. Phillips
It is evident that no derivative laws can teach the young student to see and apprehend colour in nature. His perception needs development as urgently as his muscles.
Walter J. Phillips
Some drawings are better than others... Some are utterly spoiled... I keep them all. I find a use sometimes even for the worst drawing... But their chief use is to mortify one's conceit, to show how thoroughly incompetent it is possible to be, and to shame one into better ways.
Walter J. Phillips
Do not think me fussy when I specify tidiness. It is essential... In printing, remember that cleanliness and order wait upon success.
Walter J. Phillips
Aerial perspective has nothing to do with line, but concerns tones and colours, by the delicate manipulation of which an artist can suggest infinite distance.
Walter J. Phillips
Many of the old masters of watercolour painted from notes, with enthusiasm either unabated or renewed. It is hard to assume the same degree of concentration in the studio, but not impossible.
Walter J. Phillips
Any subject is suitable provided it is of sufficient interest, but the design must be very carefully considered, and plenty of time and thought given to its construction.
Walter J. Phillips
The artist reserves the right to remove a blot on the landscape, to change positions of things, to suit his composition, providing only that he does not transgress the laws of probability.
Walter J. Phillips
The character of the subject must influence the choice of the method of its representation.
Walter J. Phillips
Water is the most expressive element in nature. It responds to every mood from tranquility to turbulence.
Walter J. Phillips
The most admirable method is that by which each wash of colour, large or small, is never disturbed. It admits of practically no overpainting, sponging or scrubbing. The colour stays where it is put.
Walter J. Phillips