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For an intelligent estimate of your technique go to another artist working in the same medium.

Walter J. Phillips

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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
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Mediums
Technique
Intelligent
Working
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Another

More quotes by Walter J. Phillips

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A horizontal or vertical line lacks energy, compared with one that deviates from either. The difference between these graphic expressions is the difference between movement and repose.
Walter J. Phillips
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The portrait painter... If he insults his sitters his occupation is gone. Whether he paints the should instead of the features, or the latter with all its natural blemishes, he is as presumptuous as if he shouted, 'What a face. Hide it.' which would never do, although it is analogous to what landscape painters are doing every day.
Walter J. Phillips
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When technique is obtrusive it becomes mere mannerism, a conscious striving for effect. It is only a means to an end - the manner of putting paint to paper. It hardly embraces the expressive side of painting.
Walter J. Phillips
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The most admirable method is that by which each wash of colour, large or small, is never disturbed. It admits of practically no overpainting, sponging or scrubbing. The colour stays where it is put.
Walter J. Phillips
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In painting, whether colour reflection is apparent or not, every hue must echo neighbouring hues, so that homogeneity may be attained.
Walter J. Phillips
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There is the process of enlarging a watercolour, which actually amounts to copying its good points and improving its bad ones, and is interesting proportionately as the latter increase.
Walter J. Phillips
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Subject has the variety of life.
Walter J. Phillips
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Some drawings are better than others... Some are utterly spoiled... I keep them all. I find a use sometimes even for the worst drawing... But their chief use is to mortify one's conceit, to show how thoroughly incompetent it is possible to be, and to shame one into better ways.
Walter J. Phillips
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Beauty may be perceived in any scene by one with sympathy and understanding. Beauty is in the mind.
Walter J. Phillips
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The character of the subject must influence the choice of the method of its representation.
Walter J. Phillips
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The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent.
Walter J. Phillips
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Artists are perennially implored to consider 'the limitations of the medium.' Whoever invented this expression exaggerated the limitations of the English language. We are not concerned with what effects cannot be produced with our materials.
Walter J. Phillips
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A landscape painting in which composition is ignored is like a line taken from a poem at random: it lacks context, and may or may not make sense.
Walter J. Phillips
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The importance of colour is as nothing compared with that of form, chiaroscuro and arrangement. They are the true and enduring bases of pictorial art.
Walter J. Phillips
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Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.
Walter J. Phillips
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Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky - what a travesty!
Walter J. Phillips
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A painter may be an abandoned mimic at school he copies his teachers, which is only right, but he copies in turn every artist in town, which is not. He may do you that honour.
Walter J. Phillips
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Submit your work to interested societies for exhibition where the critics in the light of their physical well-being and according to the extent of their knowledge, may appraise them conveniently.
Walter J. Phillips
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A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others.
Walter J. Phillips
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Etching will suggest subtle variations of tone, the most delicate shadings, all with black lines, which, as far as lines go, are unsurpassed for sheer beauty.
Walter J. Phillips