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I don't like to think that I am a slave to technique, or so inept that I have to restrict myself to one method.

Walter J. Phillips

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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Think
Thinking
Inept
Like
Restrict
Methodology
Technique
Slave
Method

More quotes by Walter J. Phillips

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Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive their use precludes any chance of adventuring in this interesting field.
Walter J. Phillips
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The painter who is so enamoured by the beauties of the parts of a landscape, that he strives to represent all, cannot succeed. His picture will be an arrangement of a series of portraits of things without unity... There must be variety and contrast, but in measured doses.
Walter J. Phillips
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A landscape painting in which composition is ignored is like a line taken from a poem at random: it lacks context, and may or may not make sense.
Walter J. Phillips
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The student's ambition should be to become a painter's painter, rather than a popular painter. The approbation of fellow artists based on sympathy and understanding is manifestly better than the fickle or fast homage of the greater public.
Walter J. Phillips
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The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter.
Walter J. Phillips
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It is evident that no derivative laws can teach the young student to see and apprehend colour in nature. His perception needs development as urgently as his muscles.
Walter J. Phillips
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Colour is as variable and evanescent in the form of pigment as in visible nature.
Walter J. Phillips
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Subject has the variety of life.
Walter J. Phillips
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Many of the old masters of watercolour painted from notes, with enthusiasm either unabated or renewed. It is hard to assume the same degree of concentration in the studio, but not impossible.
Walter J. Phillips
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A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others.
Walter J. Phillips
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While it is emotion that gives an impulse to the landscape painter, it is his style that inspires the critic's praise, and his subject that inveigles the untutored beholder.
Walter J. Phillips
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Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.
Walter J. Phillips
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It is the incompetent and the neglected artist who charges the public with ignorance, stupidity, and indifference. He raves loudly, but he is incomprehensible, even inarticulate, in his work.
Walter J. Phillips
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Appreciation is the breath of life to the creative artist, and in spite of modern conditions, there is enough abroad to sustain him. But his name is now legion he competes with the dead as well as the living and the rewards and honours seem attenuated by division.
Walter J. Phillips
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Style is instinctive and few achieve it in a notable degree. Its development is not hastened by instruction. It comes or it doesn't. It will take care of itself.
Walter J. Phillips
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For an intelligent estimate of your technique go to another artist working in the same medium.
Walter J. Phillips
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The play of sunlight is amusement enough for a lazy man.
Walter J. Phillips
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Copying is an art in itself, demanding the greatest technical ability, especially in watercolour. However well done, the copy invariably lacks that nascent, ineffable, but definite quality, provided by the furious enthusiasm with which an original is created, an essential spontaneity that defies reproduction.
Walter J. Phillips
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The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly.
Walter J. Phillips
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The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.
Walter J. Phillips