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The importance of colour is as nothing compared with that of form, chiaroscuro and arrangement. They are the true and enduring bases of pictorial art.
Walter J. Phillips
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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Colour
Bases
Endure
Chiaroscuro
Importance
Pictorial
Art
Arrangement
True
Enduring
Form
Arrangements
Nothing
Compared
More quotes by Walter J. Phillips
It is the sense of unfamiliar envelopment that is impressive, whether in the living grays of hoarfrost, the crimson of the heavens at sunset, or the golden suffusions of autumn.
Walter J. Phillips
Colour is as variable and evanescent in the form of pigment as in visible nature.
Walter J. Phillips
Style is instinctive and few achieve it in a notable degree. Its development is not hastened by instruction. It comes or it doesn't. It will take care of itself.
Walter J. Phillips
The true artist and the sane collector never will tolerate insincerity and impudence.
Walter J. Phillips
A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others.
Walter J. Phillips
Luminosity is a quality dependent as much on technique as on the physical properties of individual pigments.
Walter J. Phillips
The character of the subject must influence the choice of the method of its representation.
Walter J. Phillips
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
Walter J. Phillips
Appreciation is the breath of life to the creative artist, and in spite of modern conditions, there is enough abroad to sustain him. But his name is now legion he competes with the dead as well as the living and the rewards and honours seem attenuated by division.
Walter J. Phillips
Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive their use precludes any chance of adventuring in this interesting field.
Walter J. Phillips
While sincerity and over-anxiety can spoil a picture, through superfluous elaboration and unnecessary correction, the carelessness that would leave it in an unfinished state is even more reprehensible.
Walter J. Phillips
The artist reserves the right to remove a blot on the landscape, to change positions of things, to suit his composition, providing only that he does not transgress the laws of probability.
Walter J. Phillips
Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method.
Walter J. Phillips
In most natural scenes there is a prevailing colour, which the landscape painter must learn to identify, and which must prevail also in a slightly exaggerated form, in his painting, for the sake of truth, harmony and unity.
Walter J. Phillips
Be content with nothing less than perfection.
Walter J. Phillips
Rhythm is as necessary in a picture as pigment it is as much a part of painting as of music.
Walter J. Phillips
Humility counts for much, but it may be that vanity does not dispossess that admirable quality.
Walter J. Phillips
The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.
Walter J. Phillips
Tradition is a prop for social security.
Walter J. Phillips
It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size.
Walter J. Phillips