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Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method.
Walter J. Phillips
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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Subjects
Whereas
Implication
Relationship
Treatment
Annoyance
Results
Qualities
Copying
Quality
Arise
Similarity
Common
Method
Feared
Subject
Implications
Merely
Arises
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Establish
More quotes by Walter J. Phillips
Realism is condemned by those artists whose poverty of technique does not permit them to express it.
Walter J. Phillips
It is the sense of unfamiliar envelopment that is impressive, whether in the living grays of hoarfrost, the crimson of the heavens at sunset, or the golden suffusions of autumn.
Walter J. Phillips
Perhaps the ideal life is that of the week-end artist, who preserves the integrity of his own aesthetic ideals because of his economic independence... If his daily grind is hateful he has his weekly solace in art.
Walter J. Phillips
It is evident that no derivative laws can teach the young student to see and apprehend colour in nature. His perception needs development as urgently as his muscles.
Walter J. Phillips
Submit your work to interested societies for exhibition where the critics in the light of their physical well-being and according to the extent of their knowledge, may appraise them conveniently.
Walter J. Phillips
The artist reserves the right to remove a blot on the landscape, to change positions of things, to suit his composition, providing only that he does not transgress the laws of probability.
Walter J. Phillips
Many of the old masters of watercolour painted from notes, with enthusiasm either unabated or renewed. It is hard to assume the same degree of concentration in the studio, but not impossible.
Walter J. Phillips
Artists are perennially implored to consider 'the limitations of the medium.' Whoever invented this expression exaggerated the limitations of the English language. We are not concerned with what effects cannot be produced with our materials.
Walter J. Phillips
For an intelligent estimate of your technique go to another artist working in the same medium.
Walter J. Phillips
In large studio paintings... composition, or arrangement, may be better studied, and nearer perfection, washes may be more suavely graded.
Walter J. Phillips
Style is instinctive and few achieve it in a notable degree. Its development is not hastened by instruction. It comes or it doesn't. It will take care of itself.
Walter J. Phillips
The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter.
Walter J. Phillips
The most admirable method is that by which each wash of colour, large or small, is never disturbed. It admits of practically no overpainting, sponging or scrubbing. The colour stays where it is put.
Walter J. Phillips
The painter who is so enamoured by the beauties of the parts of a landscape, that he strives to represent all, cannot succeed. His picture will be an arrangement of a series of portraits of things without unity... There must be variety and contrast, but in measured doses.
Walter J. Phillips
However exquisite the contours or the colours of clouds, trees, rivers or hills, may be in themselves, they must be sacrificed if they do not conform with the general plan.
Walter J. Phillips
Beauty may be perceived in any scene by one with sympathy and understanding. Beauty is in the mind.
Walter J. Phillips
In most natural scenes there is a prevailing colour, which the landscape painter must learn to identify, and which must prevail also in a slightly exaggerated form, in his painting, for the sake of truth, harmony and unity.
Walter J. Phillips
Rhythm is as necessary in a picture as pigment it is as much a part of painting as of music.
Walter J. Phillips
Subject has the variety of life.
Walter J. Phillips
Drawing is the representation of form - the graphic expression of a visual experience.
Walter J. Phillips