Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
In painting, whether colour reflection is apparent or not, every hue must echo neighbouring hues, so that homogeneity may be attained.
Walter J. Phillips
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Must
Attained
Every
Apparent
Echoes
Colour
Neighbouring
Reflection
Homogeneity
Painting
Hues
Whether
Hue
May
Echo
More quotes by Walter J. Phillips
However exquisite the contours or the colours of clouds, trees, rivers or hills, may be in themselves, they must be sacrificed if they do not conform with the general plan.
Walter J. Phillips
There is the process of enlarging a watercolour, which actually amounts to copying its good points and improving its bad ones, and is interesting proportionately as the latter increase.
Walter J. Phillips
The importance of colour is as nothing compared with that of form, chiaroscuro and arrangement. They are the true and enduring bases of pictorial art.
Walter J. Phillips
Rhythm is as necessary in a picture as pigment it is as much a part of painting as of music.
Walter J. Phillips
The portrait painter... If he insults his sitters his occupation is gone. Whether he paints the should instead of the features, or the latter with all its natural blemishes, he is as presumptuous as if he shouted, 'What a face. Hide it.' which would never do, although it is analogous to what landscape painters are doing every day.
Walter J. Phillips
When spring is here the sketcher begins to look over his equipment and relishes in anticipation the soothing hours he will spend in the open, warmed by the sun, fanned by the breeze, charmed by the manifold delights of nature.
Walter J. Phillips
A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others.
Walter J. Phillips
A landscape painting in which composition is ignored is like a line taken from a poem at random: it lacks context, and may or may not make sense.
Walter J. Phillips
Subject has the variety of life.
Walter J. Phillips
The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly.
Walter J. Phillips
The painter who is so enamoured by the beauties of the parts of a landscape, that he strives to represent all, cannot succeed. His picture will be an arrangement of a series of portraits of things without unity... There must be variety and contrast, but in measured doses.
Walter J. Phillips
Is the artist impelled by spiritual forces, by the divine afflatus, by conscious or unconscious emulation of others? Do angles whisper in the ears of the chosen few, and create for them visions of aethereal beauty? Do landscape painters of genius walk the plains of Heaven? Or is it only vanity that urges him to paint?
Walter J. Phillips
The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter.
Walter J. Phillips
Difficulties will assail you only when you lack in concentration and persistence.
Walter J. Phillips
Many a painter has lived in affluence, in high esteem, who lacked the divine spark, and who is utterly forgotten to-day.
Walter J. Phillips
Realism is condemned by those artists whose poverty of technique does not permit them to express it.
Walter J. Phillips
The student's ambition should be to become a painter's painter, rather than a popular painter. The approbation of fellow artists based on sympathy and understanding is manifestly better than the fickle or fast homage of the greater public.
Walter J. Phillips
Water is the most expressive element in nature. It responds to every mood from tranquility to turbulence.
Walter J. Phillips
A horizontal or vertical line lacks energy, compared with one that deviates from either. The difference between these graphic expressions is the difference between movement and repose.
Walter J. Phillips
The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent.
Walter J. Phillips