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In painting, whether colour reflection is apparent or not, every hue must echo neighbouring hues, so that homogeneity may be attained.

Walter J. Phillips

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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Must
Attained
Every
Apparent
Echoes
Colour
Neighbouring
Reflection
Homogeneity
Painting
Hues
Whether
Hue
May
Echo

More quotes by Walter J. Phillips

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Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky - what a travesty!
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When spring is here the sketcher begins to look over his equipment and relishes in anticipation the soothing hours he will spend in the open, warmed by the sun, fanned by the breeze, charmed by the manifold delights of nature.
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The play of sunlight is amusement enough for a lazy man.
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Universal appreciation of art... belongs to those countries and those ages which are not, or were not, ruled by materialism. Though travel was never so easy, literature on art never so profuse, and works of art never so widely distributed, a real passion for pictures is encountered but rarely.
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Since art exists for humanity it is not unreasonable to assume that humanity has some rights in the matter. Who pays the piper calls the tune. An artist cannot be at once a rebel and a comfortable citizen.
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A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
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Beauty may be perceived in any scene by one with sympathy and understanding. Beauty is in the mind.
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A horizontal or vertical line lacks energy, compared with one that deviates from either. The difference between these graphic expressions is the difference between movement and repose.
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Artists are perennially implored to consider 'the limitations of the medium.' Whoever invented this expression exaggerated the limitations of the English language. We are not concerned with what effects cannot be produced with our materials.
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A painter may be an abandoned mimic at school he copies his teachers, which is only right, but he copies in turn every artist in town, which is not. He may do you that honour.
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Any subject is suitable provided it is of sufficient interest, but the design must be very carefully considered, and plenty of time and thought given to its construction.
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Is the artist impelled by spiritual forces, by the divine afflatus, by conscious or unconscious emulation of others? Do angles whisper in the ears of the chosen few, and create for them visions of aethereal beauty? Do landscape painters of genius walk the plains of Heaven? Or is it only vanity that urges him to paint?
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I don't like to think that I am a slave to technique, or so inept that I have to restrict myself to one method.
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Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method.
Walter J. Phillips
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Humility counts for much, but it may be that vanity does not dispossess that admirable quality.
Walter J. Phillips
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It is remarkable how very individual technique becomes in watercolour. Every man of personality finally arrives at a method peculiarly his own, as unique as his own fingerprint.
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Drawing is the representation of form - the graphic expression of a visual experience.
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The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.
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Many cherish the idea that a photograph is an exact presentment of nature, and accept without question the paradox that a photograph cannot lie. Actually there never was a more unmitigated liar.
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Subject has the variety of life.
Walter J. Phillips