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The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.

Walter J. Phillips

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Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Art
Disregards
Kind
Refers
Disregard
Contrary
Sake
Taste
Painting
Public
Syllogism

More quotes by Walter J. Phillips

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It is not in the nature of lenses to tell the whole truth. They are instruments of exaggeration and belittlement.
Walter J. Phillips
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For an intelligent estimate of your technique go to another artist working in the same medium.
Walter J. Phillips
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Realism is condemned by those artists whose poverty of technique does not permit them to express it.
Walter J. Phillips
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A horizontal or vertical line lacks energy, compared with one that deviates from either. The difference between these graphic expressions is the difference between movement and repose.
Walter J. Phillips
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Appreciation is the breath of life to the creative artist, and in spite of modern conditions, there is enough abroad to sustain him. But his name is now legion he competes with the dead as well as the living and the rewards and honours seem attenuated by division.
Walter J. Phillips
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Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method.
Walter J. Phillips
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Perhaps the ideal life is that of the week-end artist, who preserves the integrity of his own aesthetic ideals because of his economic independence... If his daily grind is hateful he has his weekly solace in art.
Walter J. Phillips
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Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.
Walter J. Phillips
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Is the artist impelled by spiritual forces, by the divine afflatus, by conscious or unconscious emulation of others? Do angles whisper in the ears of the chosen few, and create for them visions of aethereal beauty? Do landscape painters of genius walk the plains of Heaven? Or is it only vanity that urges him to paint?
Walter J. Phillips
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The true artist and the sane collector never will tolerate insincerity and impudence.
Walter J. Phillips
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It is the incompetent and the neglected artist who charges the public with ignorance, stupidity, and indifference. He raves loudly, but he is incomprehensible, even inarticulate, in his work.
Walter J. Phillips
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However exquisite the contours or the colours of clouds, trees, rivers or hills, may be in themselves, they must be sacrificed if they do not conform with the general plan.
Walter J. Phillips
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The most admirable method is that by which each wash of colour, large or small, is never disturbed. It admits of practically no overpainting, sponging or scrubbing. The colour stays where it is put.
Walter J. Phillips
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Etching will suggest subtle variations of tone, the most delicate shadings, all with black lines, which, as far as lines go, are unsurpassed for sheer beauty.
Walter J. Phillips
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Watercolour painting is notoriously difficult - so much depends on directness and speed, and certainty of intention. Tentative or fumbling touches are disastrous, for they cannot be obliterated easily.
Walter J. Phillips
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It is evident that no derivative laws can teach the young student to see and apprehend colour in nature. His perception needs development as urgently as his muscles.
Walter J. Phillips
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The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter.
Walter J. Phillips
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Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive their use precludes any chance of adventuring in this interesting field.
Walter J. Phillips
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The beauties of conception are always superior to those of expression.
Walter J. Phillips
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A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others.
Walter J. Phillips