Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
When spring is here the sketcher begins to look over his equipment and relishes in anticipation the soothing hours he will spend in the open, warmed by the sun, fanned by the breeze, charmed by the manifold delights of nature.
Walter J. Phillips
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Walter J. Phillips
Age: 78 †
Born: 1884
Born: October 25
Died: 1963
Died: July 5
Painter
Wood Carver
Barton-upon-Humber
Lincolnshire
Walter Joseph Phillips
Walter Phillips
Phillips
Looks
Delight
Charmed
Sun
Soothing
Spring
Delights
Spend
Relish
Open
Breeze
Relishes
Hours
Anticipation
Fanned
Nature
Equipment
Warmed
Look
Begins
Manifold
More quotes by Walter J. Phillips
Perhaps the ideal life is that of the week-end artist, who preserves the integrity of his own aesthetic ideals because of his economic independence... If his daily grind is hateful he has his weekly solace in art.
Walter J. Phillips
Let it not be assumed that the artist is so smug as to dislike true criticism. No sincere artist was ever completely satisfied with his labour.
Walter J. Phillips
Aerial perspective has nothing to do with line, but concerns tones and colours, by the delicate manipulation of which an artist can suggest infinite distance.
Walter J. Phillips
Style is instinctive and few achieve it in a notable degree. Its development is not hastened by instruction. It comes or it doesn't. It will take care of itself.
Walter J. Phillips
Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive their use precludes any chance of adventuring in this interesting field.
Walter J. Phillips
The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter.
Walter J. Phillips
The character of the subject must influence the choice of the method of its representation.
Walter J. Phillips
Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method.
Walter J. Phillips
It is the incompetent and the neglected artist who charges the public with ignorance, stupidity, and indifference. He raves loudly, but he is incomprehensible, even inarticulate, in his work.
Walter J. Phillips
Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.
Walter J. Phillips
Universal appreciation of art... belongs to those countries and those ages which are not, or were not, ruled by materialism. Though travel was never so easy, literature on art never so profuse, and works of art never so widely distributed, a real passion for pictures is encountered but rarely.
Walter J. Phillips
It is the sense of unfamiliar envelopment that is impressive, whether in the living grays of hoarfrost, the crimson of the heavens at sunset, or the golden suffusions of autumn.
Walter J. Phillips
The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.
Walter J. Phillips
Be content with nothing less than perfection.
Walter J. Phillips
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
Walter J. Phillips
A horizontal or vertical line lacks energy, compared with one that deviates from either. The difference between these graphic expressions is the difference between movement and repose.
Walter J. Phillips
Artists are perennially implored to consider 'the limitations of the medium.' Whoever invented this expression exaggerated the limitations of the English language. We are not concerned with what effects cannot be produced with our materials.
Walter J. Phillips
Rhythm is as necessary in a picture as pigment it is as much a part of painting as of music.
Walter J. Phillips
Drawing is the representation of form - the graphic expression of a visual experience.
Walter J. Phillips
There is the process of enlarging a watercolour, which actually amounts to copying its good points and improving its bad ones, and is interesting proportionately as the latter increase.
Walter J. Phillips
