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The Bauhaus fights imitation, inferior craftsmanship and artistic dilettantism

Walter Gropius

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Walter Gropius
Age: 86 †
Born: 1883
Born: May 18
Died: 1969
Died: July 5
Architect
Designer
Pedagogue
Teacher
Urban Planner
Berlin
Germany
Walter Adolph Georg Gropius
Walter Adolf Gropius
Mass
Walter Adolf Georg Gropius
Georg Walter Adolf Gropius
Craftsmanship
Inferior
Fights
Inferiors
Imitation
Artistic
Fighting
Dilettantism
Bauhaus

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Architecture begins where engineering ends.
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Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.
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Specialists are people who always repeat the same mistakes.
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The mind is like an umbrella. Its most useful when open.
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Children should be introduced right from the start to the potentialities of their environment, to the physical and psychological laws that govern the visual world, and to the supreme enjoyment that comes from participating in the creative process of giving form to one's living space.
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However often the thread may be torn out of your hands, you must develop enough patience to wind it up again and again.
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Society needs a good image of itself. That is the job of the architect.
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Limitation makes the creative mind inventive.
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Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.
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Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts. Only then will their work be imbued with the architectonic spirit . . .
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How can we expect our students to become bold and fearless in thought and action if we encase them in sentimental shrines feigning a culture which has long since disappeared?
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We want to create the purely organic building, boldly emanating its inner laws, free of untruths or ornamentation.
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Since art is dead in the actual life of civilized nations, it has been relegated to these grotesque morgues, museums.
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If your contribution has been vital there will always be somebody to pick up where you left off, and that will be your claim to immortality.
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A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
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Only work which is the product of inner compulsion can have spiritual meaning.
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