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Convention and restriction release inhibition and provoke the imagination.
Walter Darby Bannard
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Walter Darby Bannard
Age: 82 †
Born: 1934
Born: January 1
Died: 2016
Died: October 2
Painter
Printmaker
New Haven
Connecticut
Darby Bannard
W. Darby Bannard
Walter Bannard
Restriction
Convention
Provoking
Conventions
Release
Imagination
Inhibition
Inhibitions
Provoke
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Complete freedom debilitates art but reveals much about character.
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Art is there for nourishment, not explication.
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Originality is way overrated. To make, you need to take. All great artists do.
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In art there is no absolute good or bad, but it is absolute that there is good and bad.
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Good new art may not look like art. Inspiration doesn't follow style, it creates it.
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When anything can be art, art is not much of anything.
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Nothing is as hopeless as trying to justify art in words.
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To an art historian a Giotto is a 14th Century painting. To an artist it was painted yesterday. We free ourselves from the past when we see it freshly.
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Great art does not break with the past. It breaks with the present by emulating the best of the past.
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Science is a matter of adjusting language to explain material reality. Art is a matter of adjusting material reality to create a sense of life.
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The first duty of intelligence is to recognize the obvious.
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Making art is like swimming underwater in a blindfold.
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When imitation goes over big, it isn't imitation, it is a trend.
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The power of art is not in communication but effect what it does, not what it relates.
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Don't explain, enjoy.
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Art is like a butterfly fluttering in a meadow. Analysis of art is like a butterfly on a pin. Each has its value, but we must always be aware of the difference, and what is gained or lost.
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Experience is real. Painting, which comes out of experience, is real. The world is an illusion.
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The struggle to be original hates conformity, but the struggle to be better disregards it, or takes advantage of it to build workable conventions.
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Limitation of means is a precondition of excellence. Creative freedom chooses its limitations. Destructive freedom rejects them heedlessly.
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Postmodernism does not help us understand good art. It encourages art that can be easily understood and throws in something catchy to cover the loss of mystery.
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