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The distracted person, too, can form habits.
Walter Benjamin
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Walter Benjamin
Age: 48 †
Born: 1892
Born: July 15
Died: 1940
Died: September 26
Art Critic
Essayist
Literary Critic
Literary Historian
Philosopher
Sociologist
Translator
Writer
Berlin
Germany
Walter Bendix Schönflies Benjamin
Habits
Habit
Form
Persons
Person
Distracted
More quotes by Walter Benjamin
To the lover the loved one always appears as solitary.
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We collect books in the belief that we are preserving them when in fact it is the books that preserve their collector.
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All great works of literature either dissolve a genre or invent one.
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Let no thought pass incognito, and keep your notebook as strictly as the authorities keep their register of aliens.
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The construction of life is at present in the power of facts far more than convictions.
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For only that which we knew and practiced at age 15 will one day constitute our attraction. And one thing, therefore, can never be made good: having neglected to run away from home.
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Each morning the day lies like a fresh shirt on our bed this incomparably fine, incomparably tightly woven tissue of pure prediction fits us perfectly. The happiness of the next twenty-four hours depends on our ability, on waking, to pick it up.
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There is no muse of philosophy, nor is there one of translation.
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Allegories are, in the realm of thought, what ruins are in the realm of things.
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Never stop writing because you have run out of ideas.
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What has been forgotten is never something purely individual. Everything forgotten mingles with what has been forgotten of the prehistoric world, forms countless, uncertain, changing compounds, yielding a constant flow of new, strange products.
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By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives on the other hand, it manages to assure us of an immense and unexpected field of action.
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Mechanical reproduction emancipates the work of art from its parasitical dependence on ritual.
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In the fields with which we are concerned, knowledge comes only in flashes. The text is the thunder rolling long afterward.
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Every image of the past that is not recognised by the present as one of its own threatens to disappear irretrievably.
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Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
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Genuine polemics approach a book as lovingly as a cannibal spices a baby.
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Kitsch offers instantaneous emotional gratification without intellectual effort, without the requirement of distance, wihtout sublimation.
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In the convulsions of the commodity economy, we begin to recognize the monuments of the bourgeoisie as ruins even before they have crumbled.
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All efforts to render politics aesthetic culminate in one thing: war.
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