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All the decisive blows are struck left-handed.
Walter Benjamin
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Walter Benjamin
Age: 48 †
Born: 1892
Born: July 15
Died: 1940
Died: September 26
Art Critic
Essayist
Literary Critic
Literary Historian
Philosopher
Sociologist
Translator
Writer
Berlin
Germany
Walter Bendix Schönflies Benjamin
Blows
Handed
Struck
Blow
Left
Lefties
Decisive
Complacency
Improvisation
More quotes by Walter Benjamin
A bearer of news of death appears to himself as very important. His feeling - even against all reason - makes him a messenger from the realm of the dead.
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Thinking involves not only the flow of thoughts, but their arrest as well.
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Rather than ask, What is the attitude of a work to the relations of production of its time? I should like to ask, What is its position in them.
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Any translation which intends to perform a transmitting function cannot transmit anything but information-hence, something inessential. This is the hallmark of bad translations.
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Every passion borders on the chaotic, but the collector's passion borders on the chaos of memories.
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Mechanical reproduction emancipates the work of art from its parasitical dependence on ritual.
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True translation is transparent: it does not obscure the original, does not stand in its light, but rather allows pure language, as if strengthened by its own medium, to shine even more fully on the original.
Walter Benjamin
The tradition of the oppressed teaches us that the state of emergency in which we live is not the exception but the rule.
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You could tell a lot about a man by the books he keeps - his tastes, his interest, his habits.
Walter Benjamin
In other words, the unique value of the authentic work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.
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The idea that happiness could have a share in beauty would be too much of a good thing.
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Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
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Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have at the moment of commemoration.
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Capitalism is a purely cultic religion, perhaps the most extreme that ever existed.
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The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
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To perceive the aura of an object we look at means to invest it with the ability to look at us in return.
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Bourgeois existence is the regime of private affairs . . . and the family is the rotten, dismal edifice in whose closets and crannies the most ignominious instincts are deposited. Mundane life proclaims the total subjugation of eroticism to privacy.
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The Messiah comes not only as the redeemer, he comes as the subduer of Antichrist. Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.
Walter Benjamin
No poem is intended for the reader, no picture for the beholder, no symphony for the listener.
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Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method.
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