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The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
Walter Benjamin
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Walter Benjamin
Age: 48 †
Born: 1892
Born: July 15
Died: 1940
Died: September 26
Art Critic
Essayist
Literary Critic
Literary Historian
Philosopher
Sociologist
Translator
Writer
Berlin
Germany
Walter Bendix Schönflies Benjamin
Form
Distinction
Uncritically
Enjoyed
Sharper
Criticism
Criticized
Truly
Aversion
Public
Decrease
Greater
Conventional
Social
Significance
Art
Enjoyment
More quotes by Walter Benjamin
Allegories are, in the realm of thought, what ruins are in the realm of things.
Walter Benjamin
Kitsch offers instantaneous emotional gratification without intellectual effort, without the requirement of distance, wihtout sublimation.
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True translation is transparent: it does not obscure the original, does not stand in its light, but rather allows pure language, as if strengthened by its own medium, to shine even more fully on the original.
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In the fields with which we are concerned, knowledge comes only in flashes. The text is the thunder rolling long afterward.
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Experience has taught me that the shallowest of communist platitudes contains more of a hierarchy of meaning than contemporary bourgeois profundity.
Walter Benjamin
Art teaches us to see into things. Folk art and kitsch allow us to see outward from within things.
Walter Benjamin
By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives on the other hand, it manages to assure us of an immense and unexpected field of action.
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To the lover the loved one always appears as solitary.
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Like ultraviolet rays memory shows to each man in the book of life a script that invisibly and prophetically glosses the text.
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These are days when no one should rely unduly on his competence. Strength lies in improvisation. All the decisive blows are struck left-handed.
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What we must demand from the photographer is the ability to put such a caption beneath his picture as will rescue it from the ravages of modishness and confer upon it a revolutionary use value.
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As Hegel put it, only when it is dark does the owl of Minerva begin its flight. Only in extinction is the collector comprehend.
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Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
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I would like to metamorphose into a mouse-mountain.
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To do justice to the figure of Kafka in its purity and its peculiar beauty one must never lose sight of one thing: it is the purity and beauty of a failure.
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For what is the program of the bourgeois parties? A bad poem on springtime, filled to bursting with metaphors.
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The only way of knowing a person is to love them without hope.
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Not to find one’s way around a city does not mean much. But to lose one’s way in a city, as one loses one’s way in a forest, requires some schooling.
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If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience.
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The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.
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