Quote

It was so complex [in Trolls] that the technical team had to build a new program. It was about rendering and manipulating that weird hair. We also wanted to break the mold of what what we thought the princess was about...we wanted to keep her troll 'look' - the stumpy legs, an ugly/cute look, it was all inspired from the doll.

Walt Dohrn

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TAGS & TOPICS

Walt Dohrn
Age: 54
Born: 1970
Born: December 5
Animator
Director
Film Actor
Film Director
Musician
Television Actor
Voice Actor
Writer
County of Orange
California
Walter Dohrn
Thought
Ugly
Mold
Also
Inspired
Technical
Wanted
Program
Princess
Trolls
Look
Build
Cute
Troll
Looks
Hair
Complexes
Manipulating
Team
Complex
Doll
Break
Weird
Rendering
Keep
Legs
Dolls

More quotes by Walt Dohrn

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I was trying to foster a great working relationship between those two departments [design and the writing teams], because classically in animation the two don't get along.
Walt Dohrn
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I had to sit in front of all these people, and act like I knew what I was doing. I faked my way through it pretty well.
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The number one thing is creating this world [Trolls ] - what the world is going to look like, feel like and what technology will we need to use to get there.
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If you hug someone for seven seconds, it gives you a chemical drop in your brain.
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I've always loved that film ['The Three Caballeros'], and we were looking for a way to apply it to our own work, and 'Trolls' was it - psychedelic, musical and kinetic insanity.
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Sometimes actors come in, you record them, and they do their role.
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Since we've done that type of work [ voiceover], we know how isolating it can be, and we wanted to make the actors more comfortable.
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Mike [Mitchell] brought me on as co-director, and eventually we ended up sharing a brain. It was overwhelming initially when I was working with departments I hadn't had contact with before.
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We actually talked about Adam Sandler during the creation of 'Trolls,' because he does know how to time jokes.
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I loved the Disney films, and Sterling Holloway was one of their chief talents. He never had to put on a voice, and that's what Mike [Mitchell] and I encourage. I love the voices that have a unique texture, but it's their real voice.
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The Head of Story is defined differently for each film. But I found that the role for me was to support the director's vision, and to be a conduit to the story team - and managing that team to realize the vision.
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We'd all [with Mike Mitchell] been together at Dreamworks for over ten years, so we all had the same goals.
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The world is in such a place of social unrest and there's so much violence.
Walt Dohrn