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On a few words of what is real in the world I nourish myself. I defend myself against Whatever remains.
Wallace Stevens
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Wallace Stevens
Age: 75 †
Born: 1879
Born: October 2
Died: 1955
Died: August 2
Journalist
Lawyer
Playwright
Poet
Poet Lawyer
Writer
Remains
Existence
Whatever
Words
Real
World
Nourish
Defend
More quotes by Wallace Stevens
Success as a result of industry is a peasant's ideal.
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The subject matter... is not that collection of solid, static objects extended in space but the life that is lived in the scene that it composes.
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Time is a horse that runs in the heart, a horse Without a rider on a road at night. The mind sits listening and hears it pass.
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If sex were all, then every trembling hand Could make us squeak, like dolls, the wished-for words.
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The poet is the priest of the invisible.
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The chrysanthemums' astringent fragrance comes Each year to disguise the clanking mechanism Of machine within machine within machine.
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One's ignorance is one's chief asset.
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The mind is the great poem of winter, the man, Who, to find what will suffice, Destroys romantic tenements Of rose and ice.
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The imperfect is our paradise. Note that, in this bitterness, delight, Since the imperfect is so hot in us, Lies in flawed words and stubborn sounds.
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Already the new-born children interpret love In the voices of mothers.
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Two things of opposite natures seem to depend / One on another, as Logos depends / On Eros, day on night, the imagined On the real. / This is the origin of change.
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The wind, Tempestuous clarion, with heavy cry, Came bluntly thundering, more terrible Than the revenge of music on bassoons.
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The poet represents the mind in the act of defending us against itself.
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Imagination is the will of things. . . .
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Poetry is poetry, and one's objective as a poet is to achieve poetry precisely as one's objective in music is to achieve music.
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We say God and the imagination are one... How high that highest candle lights the dark.
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How cold the vacancy When the phantoms are gone and the shaken realist First sees reality. The mortal no Has its emptiness and tragic expirations.
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The imagination loses vitality as it ceases to adhere to what is real.
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If the hero is not a person, the emblem Of him, even if Xenophon, seems To stand taller than a person stands, has A wider brow, large and less human Eyes and bruted ears: the man-like body Of a primitive.
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A diary is more or less the work of a man of clay whose hands are clumsy and in whose eyes there is no light.
Wallace Stevens