Quote

Many photographers are apt to confuse color with noise, and to congratulate themselves when they have almost blown you down with screeching hues alone-a bebop of electric blues, furious reds, and poison greens.

Walker Evans

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Walker Evans
Age: 71 †
Born: 1903
Born: November 3
Died: 1975
Died: April 10
Journalist
Photographer
Photojournalist
St. Louis
Missouri
Many
Blues
Hues
Electric
Congratulate
Poison
Greens
Noise
Hue
Photographer
Photographers
Color
Furious
Screeching
Alone
Confuse
Bebop
Almost
Blown
Reds

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It's easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.
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Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.
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I used to try to figure out precisely what I was seeing all the time, until I discovered that I didn't need to. If the thing is true, why there it is.
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Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing it is the defining of observation full and felt.
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The eye traffics in feelings, not in thoughts.
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I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don't know where you get the impetus and response to what's before your eyes.
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I never took it upon myself to change the world. And those contemporaries of mine who were going around falling for the idea that they were going to bring down the United States government and make a new world were just asses to me.
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I wanted so much to write that I couldn't write a word.
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Somewhere in our search for reality we have passed something by, something important that we no longer find amid the bits and pieces of disassembled matter-something vital that we cannot build out of these parts. There is surely something else, some piece of divinity in us, something that was before the elements, and that owes no homage to the sun.
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It's too presumptuous and naïve to think you can change society by a photograph or anything else... I equate that with propaganda I think that's a lower rank of purpose.
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Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.
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What America needs is a political revolution.
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What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman.
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Do we know what we look like? Not really.
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The secret of photography is, the camera takes on the character and personality of the handler.
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Science has rolled its war wagons over the crushed myths of so many religious beliefs. It has marshaled its mechanics to explain the motions of the sun, moon, and stars. It has mapped the heavens, leaving no place for gods to live.
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In order to put meaning back into our lives, we should recognize illusions for what they are, and we should reach out and touch the fabric of reality.
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I'm sometimes called a 'documentary photographer' but... a man operating under that definition could take a sly pleasure in the disguise. Very often I'm doing one thing when I'm thought to be doing another.
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Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.
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The meaning of quality in photography's best pictures lies written in the language of vision. That language is learned by chance, not system.
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