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It's easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.

Walker Evans

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Walker Evans
Age: 71 †
Born: 1903
Born: November 3
Died: 1975
Died: April 10
Journalist
Photographer
Photojournalist
St. Louis
Missouri
Surface
Photography
Air
Truly
Easy
Capturing
Light
Reflecting
Part
Photographer
Hard
Photograph

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You see, a document has use, whereas art is really useless. Therefore art is never a document, although it can adopt that style.
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Nobody should touch a Polaroid [camera] until he's over sixty
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I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don't know where you get the impetus and response to what's before your eyes.
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It is the way to educate your eye and more. Stare, pry, listen, eavesdrop.
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The secret of photography is, the camera takes on the character and personality of the handler.
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Photography is not cute cats, nor nudes, motherhood or arrangements of manufactured products. Under no circumstances it is anything ever anywhere near a beach.
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I used to try to figure out precisely what I was seeing all the time, until I discovered that I didn't need to. If the thing is true, why there it is.
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I wanted so much to write that I couldn't write a word.
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Good photography is unpretentious.
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In order to put meaning back into our lives, we should recognize illusions for what they are, and we should reach out and touch the fabric of reality.
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Documentary: That’s a sophisticated and misleading word. And not really clear… The term should be documentary style… You see, a document has use, whereas art is really useless.
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... nature photographs downright bore me for some reason or other. I think: 'Oh, yes. Look at that sand dune. What of it?'
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I'm sometimes called a 'documentary photographer' but... a man operating under that definition could take a sly pleasure in the disguise. Very often I'm doing one thing when I'm thought to be doing another.
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Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.
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Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.
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That’s my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind.
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Many photographers are apt to confuse color with noise, and to congratulate themselves when they have almost blown you down with screeching hues alone-a bebop of electric blues, furious reds, and poison greens.
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Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing it is the defining of observation full and felt.
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What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman.
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Do we know what we look like? Not really.
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