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It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, What should I write at the age of sixty-four, but never, What should I write in 1940.
W. H. Auden
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W. H. Auden
Age: 66 †
Born: 1907
Born: February 21
Died: 1973
Died: September 28
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Wystan Hugh Auden
Wystan Auden
Wystan H Auden
W. H. Wystan Hugh Auden
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More quotes by W. H. Auden
A poem is a verbal artifact which must be as skillfully and solidly constructed as a table or a motorcycle.
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It is a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.
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To ask the hard question is simple.
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Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
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Precisely because we do not communicate by singing, a song can be out of place but not out of character it is just as credible that a stupid person should sing beautifully as that a clever person should do so.
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You must go to bed with friends or whores, where money makes up the difference in beauty or desire.
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A vice in common can be the ground of a friendship but not a virtue in common. X and Y may be friends because they are both drunkards or womanizers but, if they are both sober and chaste, they are friends for some other reason.
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My poetry doesn't change from place to place - it changes with the years. It's very important to be one's age. You get ideas you have to turn down - 'I'm sorry, no longer' 'I'm sorry, not yet.
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Great art is clear thinking about mixed feelings.
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I used to try and concentrate the poem so much that there wasn't a word that wasn't essential. This leads to becoming boring and constipated.
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Harrow the house of the dead look shining at New styles of architecture, a change of heart.
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When someone between twenty and forty says, apropos of a work of art, 'I know what I like,' he is really saying 'I have no taste of my own but accept the taste of my cultural milieu.
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In life the loser's score is always zero.
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The eye likes novelty, but the ear craves familiarity.
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The most difficult problem in personal knowledge, whether of oneself or of others, is the problem of guessing when to think as a historian and when to think as an anthropologist.
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The most important truths are likely to be those which society at that time least wants to hear.
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Look if you like, but you will have to leap.
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It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful.
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Learn from your dreams what you lack.
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Those who hate to go to bed fear death those who hate to get up fear life.
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