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Every high C accurately struck demolishes the theory that we are the irresponsible puppets of fate or chance.
W. H. Auden
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W. H. Auden
Age: 66 †
Born: 1907
Born: February 21
Died: 1973
Died: September 28
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Jórvík
Wystan Hugh Auden
Wystan Auden
Wystan H Auden
W. H. Wystan Hugh Auden
Every
Accurately
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Irresponsible
Struck
Fate
Theory
High
Chance
Demolish
More quotes by W. H. Auden
There's always another story. There's more than meets the eye.
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Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone. Silence the pianos and with muffled drum Bring out the coffin, let the mourners come.
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Words are for those with promises to keep.
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Few can remember clearly when innocence came to a sudden end, the moment at which we ask for the first time: Am I loved?
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The habit-forming pain, Mismanagement and grief: We must suffer them all again.
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No person can be a great leader unless he takes genuine joy in the successes of those under him.
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Routine, in an intelligent man, is a sign of ambition.
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Almost all of our relationships begin and most of them continue as forms of mutual exploitation, a mental or physical barter, to be terminated when one or both parties run out of goods.
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No hero is mortal till he dies.
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Human beings are, necessarily, actors who...can be divided...into the sane who know they are acting and the mad who do not.
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Defenceless under the night Our world in stupor lies Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
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There's only one good test of pornography. Get twelve normal men to read the book, and then ask them, ''Did you get an erection?'' If the answer is ''Yes'' from a majority of the twelve, then the book is pornographic.
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I'll love you, dear, I'll love you till China and Africa meet and the river jumps over the mountain and the salmon sing in the street.
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My poetry doesn't change from place to place - it changes with the years. It's very important to be one's age. You get ideas you have to turn down - 'I'm sorry, no longer' 'I'm sorry, not yet.
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An unmanly sort of man whose love life seems to have been largely confined to crying in laps and playing mouse.
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All that we are not stares back at what we are.
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Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.
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Alone, alone, about the dreadful wood / Of conscious evil runs a lost mankind, / Dreading to find its Father.
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Swans in the winter air A white perfection have
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We all have these places where shy humiliations gambol on sunny afternoons.
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