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In my photographic work I was always especially entranced... by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them.

W. G. Sebald

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W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Work
Middle
Emerge
Always
Moment
Cling
Speak
Shadows
Moments
Exposed
Night
Shadow
Reality
Paper
Entranced
Nothing
Especially
Darkening
Trying
Memories
Photographic

More quotes by W. G. Sebald

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It seems to me then as if all the moments of our life occupy the same space, as if future events already existed and were only waiting for us to find our way to them at last, just as when we have accepted an invitation we duly arrive in a certain house at a given time.
W. G. Sebald
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... the current of time slowing down in the gravitational field of oblivion.
W. G. Sebald
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No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
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A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.
W. G. Sebald
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I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
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Physicists now say there is no such thing as time: everything co-exists. Chronology is entirely artificial and essentially determined by emotion. Contiguity suggests layers of things, the past and present somehow coalescing or co-existing.
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The capital amassed in the eighteenth and nineteenth centuries through various forms of slave economy is still in circulation, said De Jong, still bearing interest, increasing many times over and continually burgeoning anew.
W. G. Sebald
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It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
W. G. Sebald
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Otherwise, all I remember of the denizens of the Nocturama is that several of them had strikingly large eyes, and the fixed inquiring gaze found in certain painters and philosophers who seek to penetrate the darkness which surrounds us purely by means of looking and thinking.
W. G. Sebald
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Only in the books written in earlier times did she sometimes think she found some faint idea of what it might be like to be alive.
W. G. Sebald
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The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
W. G. Sebald
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I wonder now whether inner coldness and desolation may not be the pre-condition for making the world believe, by a kind of fraudulent showmanship, that one's own wretched heart is still aglow.
W. G. Sebald
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It is thanks to my evening reading alone that I am still more or less sane.
W. G. Sebald
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To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.
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By all means be experimental, but let the reader be part of the experiment
W. G. Sebald
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At the time I could no more believe my eyes than now I can trust my memory.
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We learn from history as much as a rabbit learns from an experiment that's performed upon it.
W. G. Sebald
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No one can explain exactly what happens within us when the doors behind which our childhood terrors lurk are flung open.
W. G. Sebald
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One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
W. G. Sebald
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The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
W. G. Sebald