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I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
W. G. Sebald
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W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
White
Located
Black
Zones
Death
Territory
Believe
Gray
Life
Zone
Photograph
Stand
Rather
More quotes by W. G. Sebald
The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
W. G. Sebald
It makes one’s head heavy and giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds
W. G. Sebald
This then, I thought, as I looked round about me, is the representation of history. It requires a falsification of perspective. We, the survivors, see everything from above, see everything at once, and still we do not know how it was.
W. G. Sebald
I have always kept ducks, even as a child, and the colours of their plumage, in particular the dark green and snow white, seemed to me the only possible answer to the questions that are on my mind.
W. G. Sebald
We learn from history as much as a rabbit learns from an experiment that's performed upon it.
W. G. Sebald
One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
W. G. Sebald
Everything our civilization has produced is entombed.
W. G. Sebald
I felt that the decrepit state of these once magnificent buildings, with their broken gutters, walls blackened by rainwater, crumbling plaster revealing the coarse masonry beneath it, windows boarded up or clad with corrugated iron, precisely reflected my own state of mind.
W. G. Sebald
We all have appointments with the past.
W. G. Sebald
How far, in any case, must one go back to find the beginning?
W. G. Sebald
... the current of time slowing down in the gravitational field of oblivion.
W. G. Sebald
The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.
W. G. Sebald
At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.
W. G. Sebald
There is something peculiarly dispriting about the emptiness that wells up when, in a strange city, one dials the same telephone numbers in vain.
W. G. Sebald
Tiny details imperceptible to us decide everything!
W. G. Sebald
And so they are ever returning to us, the dead. At times they come back from the ice more than seven decades later and are found at the edge of the moraine, a few polished bones and a pair of hobnailed boots.
W. G. Sebald
In my photographic work I was always especially entranced... by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them.
W. G. Sebald
It is thanks to my evening reading alone that I am still more or less sane.
W. G. Sebald
I wonder now whether inner coldness and desolation may not be the pre-condition for making the world believe, by a kind of fraudulent showmanship, that one's own wretched heart is still aglow.
W. G. Sebald
By all means be experimental, but let the reader be part of the experiment
W. G. Sebald