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Time, that most abstract of humanity's homes.
W. G. Sebald
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W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Homes
Abstract
Humanity
Home
Time
More quotes by W. G. Sebald
Otherwise, all I remember of the denizens of the Nocturama is that several of them had strikingly large eyes, and the fixed inquiring gaze found in certain painters and philosophers who seek to penetrate the darkness which surrounds us purely by means of looking and thinking.
W. G. Sebald
By all means be experimental, but let the reader be part of the experiment
W. G. Sebald
Like our bodies and like our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers.
W. G. Sebald
And so they are ever returning to us, the dead. At times they come back from the ice more than seven decades later and are found at the edge of the moraine, a few polished bones and a pair of hobnailed boots.
W. G. Sebald
The capital amassed in the eighteenth and nineteenth centuries through various forms of slave economy is still in circulation, said De Jong, still bearing interest, increasing many times over and continually burgeoning anew.
W. G. Sebald
One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
W. G. Sebald
We take almost all the decisive steps in our lives as a result of slight inner adjustments of which we are barely conscious.
W. G. Sebald
No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
W. G. Sebald
The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
W. G. Sebald
It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
W. G. Sebald
How far, in any case, must one go back to find the beginning?
W. G. Sebald
It makes one’s head heavy and giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds
W. G. Sebald
The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.
W. G. Sebald
Perhaps we all lose our sense of reality to the precise degree to which we are engrossed in our own work, and perhaps that is why we see in the increasing complexity of our mental constructs a means for greater understanding, even while intuitively we know that we shall never be able to fathom the imponderables that govern our course through life.
W. G. Sebald
How I wished during those sleepless hours that I belonged to a different nation, or better still, to none at all.
W. G. Sebald
We all have appointments with the past.
W. G. Sebald
At the time I could no more believe my eyes than now I can trust my memory.
W. G. Sebald
A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.
W. G. Sebald
The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
W. G. Sebald
At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.
W. G. Sebald