Quote

By all means be experimental, but let the reader be part of the experiment

W. G. Sebald

Change background

T
T
T

Change font

TAGS & TOPICS

W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Mean
Experimental
Experiment
Experiments
Reader
Means
Part

More quotes by W. G. Sebald

Image
How far, in any case, must one go back to find the beginning?
W. G. Sebald
Image
The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
W. G. Sebald
Image
We learn from history as much as a rabbit learns from an experiment that's performed upon it.
W. G. Sebald
Image
To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.
W. G. Sebald
Image
Only in the books written in earlier times did she sometimes think she found some faint idea of what it might be like to be alive.
W. G. Sebald
Image
The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.
W. G. Sebald
Image
A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.
W. G. Sebald
Image
Physicists now say there is no such thing as time: everything co-exists. Chronology is entirely artificial and essentially determined by emotion. Contiguity suggests layers of things, the past and present somehow coalescing or co-existing.
W. G. Sebald
Image
Otherwise, all I remember of the denizens of the Nocturama is that several of them had strikingly large eyes, and the fixed inquiring gaze found in certain painters and philosophers who seek to penetrate the darkness which surrounds us purely by means of looking and thinking.
W. G. Sebald
Image
No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
W. G. Sebald
Image
Time, that most abstract of humanity's homes.
W. G. Sebald
Image
One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
W. G. Sebald
Image
I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
W. G. Sebald
Image
Everything our civilization has produced is entombed.
W. G. Sebald
Image
The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
W. G. Sebald
Image
The capital amassed in the eighteenth and nineteenth centuries through various forms of slave economy is still in circulation, said De Jong, still bearing interest, increasing many times over and continually burgeoning anew.
W. G. Sebald
Image
At the time I could no more believe my eyes than now I can trust my memory.
W. G. Sebald
Image
... the current of time slowing down in the gravitational field of oblivion.
W. G. Sebald
Image
At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.
W. G. Sebald
Image
I felt that the decrepit state of these once magnificent buildings, with their broken gutters, walls blackened by rainwater, crumbling plaster revealing the coarse masonry beneath it, windows boarded up or clad with corrugated iron, precisely reflected my own state of mind.
W. G. Sebald