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Human civilization has been no more than a strange luminescence growing more intense by the hour, of which no one can say when it will begin to wane and when it will fade away.
W. G. Sebald
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W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Away
Fades
Human
Intense
Humans
Hour
Begin
Civilization
Strange
Growing
Wane
Hours
Fade
More quotes by W. G. Sebald
And so they are ever returning to us, the dead. At times they come back from the ice more than seven decades later and are found at the edge of the moraine, a few polished bones and a pair of hobnailed boots.
W. G. Sebald
No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
W. G. Sebald
To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.
W. G. Sebald
No one can explain exactly what happens within us when the doors behind which our childhood terrors lurk are flung open.
W. G. Sebald
Otherwise, all I remember of the denizens of the Nocturama is that several of them had strikingly large eyes, and the fixed inquiring gaze found in certain painters and philosophers who seek to penetrate the darkness which surrounds us purely by means of looking and thinking.
W. G. Sebald
Time, that most abstract of humanity's homes.
W. G. Sebald
Perhaps we all lose our sense of reality to the precise degree to which we are engrossed in our own work, and perhaps that is why we see in the increasing complexity of our mental constructs a means for greater understanding, even while intuitively we know that we shall never be able to fathom the imponderables that govern our course through life.
W. G. Sebald
I felt that the decrepit state of these once magnificent buildings, with their broken gutters, walls blackened by rainwater, crumbling plaster revealing the coarse masonry beneath it, windows boarded up or clad with corrugated iron, precisely reflected my own state of mind.
W. G. Sebald
Physicists now say there is no such thing as time: everything co-exists. Chronology is entirely artificial and essentially determined by emotion. Contiguity suggests layers of things, the past and present somehow coalescing or co-existing.
W. G. Sebald
There is something peculiarly dispriting about the emptiness that wells up when, in a strange city, one dials the same telephone numbers in vain.
W. G. Sebald
The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.
W. G. Sebald
We all have appointments with the past.
W. G. Sebald
Tiny details imperceptible to us decide everything!
W. G. Sebald
The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
W. G. Sebald
At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.
W. G. Sebald
At the time I could no more believe my eyes than now I can trust my memory.
W. G. Sebald
We take almost all the decisive steps in our lives as a result of slight inner adjustments of which we are barely conscious.
W. G. Sebald
It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
W. G. Sebald
By all means be experimental, but let the reader be part of the experiment
W. G. Sebald
One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
W. G. Sebald