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No one can explain exactly what happens within us when the doors behind which our childhood terrors lurk are flung open.
W. G. Sebald
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W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Open
Terrors
Within
Explain
Happens
Terror
Exactly
Childhood
Doors
Behinds
Lurk
Behind
Flung
More quotes by W. G. Sebald
Physicists now say there is no such thing as time: everything co-exists. Chronology is entirely artificial and essentially determined by emotion. Contiguity suggests layers of things, the past and present somehow coalescing or co-existing.
W. G. Sebald
At the time I could no more believe my eyes than now I can trust my memory.
W. G. Sebald
It is thanks to my evening reading alone that I am still more or less sane.
W. G. Sebald
There is something peculiarly dispriting about the emptiness that wells up when, in a strange city, one dials the same telephone numbers in vain.
W. G. Sebald
We all have appointments with the past.
W. G. Sebald
... the current of time slowing down in the gravitational field of oblivion.
W. G. Sebald
I have always kept ducks, even as a child, and the colours of their plumage, in particular the dark green and snow white, seemed to me the only possible answer to the questions that are on my mind.
W. G. Sebald
It seems to me then as if all the moments of our life occupy the same space, as if future events already existed and were only waiting for us to find our way to them at last, just as when we have accepted an invitation we duly arrive in a certain house at a given time.
W. G. Sebald
The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
W. G. Sebald
And so they are ever returning to us, the dead.
W. G. Sebald
At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.
W. G. Sebald
Like our bodies and like our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers.
W. G. Sebald
How far, in any case, must one go back to find the beginning?
W. G. Sebald
One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
W. G. Sebald
A tight structural form opens possibilities. Take a pattern, an established model or sub-genre, and write to it. In writing, limitation gives freedom
W. G. Sebald
It makes one’s head heavy and giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds
W. G. Sebald
I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
W. G. Sebald
I wonder now whether inner coldness and desolation may not be the pre-condition for making the world believe, by a kind of fraudulent showmanship, that one's own wretched heart is still aglow.
W. G. Sebald
Time, that most abstract of humanity's homes.
W. G. Sebald
It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
W. G. Sebald
