Quote

No one can explain exactly what happens within us when the doors behind which our childhood terrors lurk are flung open.

W. G. Sebald

Change background

T
T
T

Change font

TAGS & TOPICS

W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Childhood
Doors
Behinds
Lurk
Behind
Flung
Open
Terrors
Within
Explain
Happens
Terror
Exactly

More quotes by W. G. Sebald

Image
Otherwise, all I remember of the denizens of the Nocturama is that several of them had strikingly large eyes, and the fixed inquiring gaze found in certain painters and philosophers who seek to penetrate the darkness which surrounds us purely by means of looking and thinking.
W. G. Sebald
Image
By all means be experimental, but let the reader be part of the experiment
W. G. Sebald
Image
Perhaps we all lose our sense of reality to the precise degree to which we are engrossed in our own work, and perhaps that is why we see in the increasing complexity of our mental constructs a means for greater understanding, even while intuitively we know that we shall never be able to fathom the imponderables that govern our course through life.
W. G. Sebald
Image
At the time I could no more believe my eyes than now I can trust my memory.
W. G. Sebald
Image
The more images I gathered from the past, I said, the more unlikely it seemed to me that the past had actually happened in this or that way, for nothing about it could be called normal: most of it was absurd, and if not absurd, then appalling.
W. G. Sebald
Image
A tight structural form opens possibilities. Take a pattern, an established model or sub-genre, and write to it. In writing, limitation gives freedom
W. G. Sebald
Image
And so they are ever returning to us, the dead. At times they come back from the ice more than seven decades later and are found at the edge of the moraine, a few polished bones and a pair of hobnailed boots.
W. G. Sebald
Image
I have always kept ducks, even as a child, and the colours of their plumage, in particular the dark green and snow white, seemed to me the only possible answer to the questions that are on my mind.
W. G. Sebald
Image
We take almost all the decisive steps in our lives as a result of slight inner adjustments of which we are barely conscious.
W. G. Sebald
Image
At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.
W. G. Sebald
Image
It makes one’s head heavy and giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds
W. G. Sebald
Image
I felt that the decrepit state of these once magnificent buildings, with their broken gutters, walls blackened by rainwater, crumbling plaster revealing the coarse masonry beneath it, windows boarded up or clad with corrugated iron, precisely reflected my own state of mind.
W. G. Sebald
Image
How far, in any case, must one go back to find the beginning?
W. G. Sebald
Image
Tiny details imperceptible to us decide everything!
W. G. Sebald
Image
The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.
W. G. Sebald
Image
The capital amassed in the eighteenth and nineteenth centuries through various forms of slave economy is still in circulation, said De Jong, still bearing interest, increasing many times over and continually burgeoning anew.
W. G. Sebald
Image
Everything our civilization has produced is entombed.
W. G. Sebald
Image
Physicists now say there is no such thing as time: everything co-exists. Chronology is entirely artificial and essentially determined by emotion. Contiguity suggests layers of things, the past and present somehow coalescing or co-existing.
W. G. Sebald
Image
... the current of time slowing down in the gravitational field of oblivion.
W. G. Sebald
Image
This then, I thought, as I looked round about me, is the representation of history. It requires a falsification of perspective. We, the survivors, see everything from above, see everything at once, and still we do not know how it was.
W. G. Sebald