Quote

At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.

W. G. Sebald

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W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Wonder
Casts
Existence
Somehow
Eye
Instinct
Dawning
Form
Horror
Gaze
Firsts
Destruction
Buildings
First
Shadow
Designed
Kind
Later
Ruins
Building
Cast

More quotes by W. G. Sebald

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No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
W. G. Sebald
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Otherwise, all I remember of the denizens of the Nocturama is that several of them had strikingly large eyes, and the fixed inquiring gaze found in certain painters and philosophers who seek to penetrate the darkness which surrounds us purely by means of looking and thinking.
W. G. Sebald
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In my photographic work I was always especially entranced... by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them.
W. G. Sebald
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At the time I could no more believe my eyes than now I can trust my memory.
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It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
W. G. Sebald
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To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.
W. G. Sebald
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Time, that most abstract of humanity's homes.
W. G. Sebald
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And so they are ever returning to us, the dead.
W. G. Sebald
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I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
W. G. Sebald
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We take almost all the decisive steps in our lives as a result of slight inner adjustments of which we are barely conscious.
W. G. Sebald
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A tight structural form opens possibilities. Take a pattern, an established model or sub-genre, and write to it. In writing, limitation gives freedom
W. G. Sebald
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One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
W. G. Sebald
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A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.
W. G. Sebald
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How far, in any case, must one go back to find the beginning?
W. G. Sebald
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It is thanks to my evening reading alone that I am still more or less sane.
W. G. Sebald
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This then, I thought, as I looked round about me, is the representation of history. It requires a falsification of perspective. We, the survivors, see everything from above, see everything at once, and still we do not know how it was.
W. G. Sebald
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Perhaps we all lose our sense of reality to the precise degree to which we are engrossed in our own work, and perhaps that is why we see in the increasing complexity of our mental constructs a means for greater understanding, even while intuitively we know that we shall never be able to fathom the imponderables that govern our course through life.
W. G. Sebald
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I wonder now whether inner coldness and desolation may not be the pre-condition for making the world believe, by a kind of fraudulent showmanship, that one's own wretched heart is still aglow.
W. G. Sebald
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No one can explain exactly what happens within us when the doors behind which our childhood terrors lurk are flung open.
W. G. Sebald
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Everything our civilization has produced is entombed.
W. G. Sebald