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There is something peculiarly dispriting about the emptiness that wells up when, in a strange city, one dials the same telephone numbers in vain.

W. G. Sebald

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W. G. Sebald
Age: 57 †
Born: 1944
Born: May 18
Died: 2001
Died: December 14
Literary Scholar
Photographer
Professor
Writer
W.G. Sebald
Emptiness
Vain
City
Dials
Strange
Vertigo
Cities
Peculiarly
Numbers
Telephone
Wells
Something
Telephones

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Human civilization has been no more than a strange luminescence growing more intense by the hour, of which no one can say when it will begin to wane and when it will fade away.
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Men and animals regard each other across a gulf of mutual incomprehension.
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It makes one’s head heavy and giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds
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We learn from history as much as a rabbit learns from an experiment that's performed upon it.
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We take almost all the decisive steps in our lives as a result of slight inner adjustments of which we are barely conscious.
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I felt that the decrepit state of these once magnificent buildings, with their broken gutters, walls blackened by rainwater, crumbling plaster revealing the coarse masonry beneath it, windows boarded up or clad with corrugated iron, precisely reflected my own state of mind.
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Like our bodies and like our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers.
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Physicists now say there is no such thing as time: everything co-exists. Chronology is entirely artificial and essentially determined by emotion. Contiguity suggests layers of things, the past and present somehow coalescing or co-existing.
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No one can explain exactly what happens within us when the doors behind which our childhood terrors lurk are flung open.
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The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
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No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
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I have always kept ducks, even as a child, and the colours of their plumage, in particular the dark green and snow white, seemed to me the only possible answer to the questions that are on my mind.
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A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.
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I wonder now whether inner coldness and desolation may not be the pre-condition for making the world believe, by a kind of fraudulent showmanship, that one's own wretched heart is still aglow.
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How I wished during those sleepless hours that I belonged to a different nation, or better still, to none at all.
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How far, in any case, must one go back to find the beginning?
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This then, I thought, as I looked round about me, is the representation of history. It requires a falsification of perspective. We, the survivors, see everything from above, see everything at once, and still we do not know how it was.
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And so they are ever returning to us, the dead. At times they come back from the ice more than seven decades later and are found at the edge of the moraine, a few polished bones and a pair of hobnailed boots.
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