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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.

W. Eugene Smith

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W. Eugene Smith
Age: 59 †
Born: 1918
Born: December 30
Died: 1978
Died: October 15
Journalist
Photographer
Photojournalist
War Photographer
Wichita
Kansas
William Eugene Smith
Vilyam Yugin Smit
$15V. Yug'in Smit
V. Yugin Smit
$15Vilyam Yug'in Smit
Eugene Smith
W Eugene Smith
Vilyam Yugin
Yug'in Smit
Gene Smith
Yugin Smit
Found
Horizon
Another
Reached
Every
Photographer
Always
Potential
Beckoning
Never
Distance
Photographic
Photography
Umpires
Limits
Threshold
Upon
Reveals

More quotes by W. Eugene Smith

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You can't photograph if you're not in love.
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My photographs at best hold only a small length, but through them I would suggest and criticize and illuminate and try to give compassionate understanding.
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My pictures are complex and so am I.
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... to became neighbours and friends instead of journalists. This is the way to make your finest photographs.
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I've never made any picture, good or bad, without paying for it in emotional turmoil.
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Most photographers seem to operate with a pane of glass between themselves and their subjects. They just can't get inside and know the subject.
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What use having a great depth of field, if there is not an adequate depth of feeling?
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Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.
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I didn’t write the rules. Why would I follow them?
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The world just does not fit conveniently into the format of a 35mm camera.
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I think photojournalism is documentary photography with a purpose.
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Passion is in all great searches and is necessary to all creative endeavors.
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My camera, my intentions stopped no man from falling. Nor did they aid him after he had fallen. It could be said that photographs be damned for they bind no wounds. Yet, I reasoned, if my photographs could cause compassionate horror within the viewer, they might also prod the conscience of that viewer into taking action.
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The journalistic photographer can have no other than a personal approach and it is impossible for him to be completely objective. Honest—yes. Objective—no.
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I would that my photographs might be, not the coverage of a news event, but an indictment of war.
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The photographer must bear the responsibility for his work and its effect …[for] photographic journalism, because of its tremendous audience reached by publications using it, has more influence on public thinking than any other branch of photography.
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Hardening of the categories causes art disease.
W. Eugene Smith
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In music I still prefer the minor key, and in printing I like the light coming from the dark. I like pictures that surmount the darkness, and many of my photographs are that way. It is the way I see photographically. For practical reasons, I think it looks better in print too.
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I can’t stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
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Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.
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