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Stirless, I stand at the window, and in the black bowl of the sky glows like a golden drop of honey the mellow moon
Vladimir Nabokov
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Vladimir Nabokov
Age: 77 †
Born: 1899
Born: January 1
Died: 1977
Died: January 1
Autobiographer
Chess Composer
Chess Player
Journalist
Lepidopterist
Literary Critic
Novelist
Playwright
Poet
Science Fiction Writer
St. Petersburg
Vladimir Vladimirovich Nabokov
Vladimir Sirin
Vl. Sirin
Wladimir Nabokoff-Sirin
V. Sirin
Moon
Mellow
Stand
Bowl
Black
Bowls
Like
Honey
Drop
Golden
Sky
Window
Glows
More quotes by Vladimir Nabokov
The evolution of sense is, in a sense, the evolution of nonsense.
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Nothing revives the past so completely as a smell that was once associated with it.
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There is nothing more atrociously cruel than an adored child.
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Caress the detail, the divine detail.
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I do not see any essential difference between abstract and primitive art. Both are simple and sincere. Naturally, we should not generalize in these matters: It is the individual artist that counts.
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I witness with pleasure the supreme achievement of memory, which is the masterly use it makes of innate harmonies when gathering to its fold the suspended and wandering tonalities of the past.
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I grew, a happy, healthy child in a bright world of illustrated books, clean sand, orange trees, friendly dogs, sea vistas and smiling faces.
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There was a time in my demented youth When somehow I suspected that the truth About survival after death was known To every human being: I alone Knew nothing, and a great conspiracy Of books and people hid the truth from me.
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As to the rest, I am no more guilty of imitating 'real life' than'real life' is responsible for plagiarizing me.
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Complacency is a state of mind that exists only in retrospective: it has to be shattered before being ascertained.
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A sense of security, of well-being, of summer warmth pervades my memory. That robust reality makes a ghost of the present. The mirror brims with brightness a bumblebee has entered the room and bumps against the ceiling. Everything is as it should be, nothing will ever change, nobody will ever die.
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Between the wolf in the tall grass and the wolf in the tall story there is a shimmering go-between. That go-between, that prism, is the art of literature.
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Between the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older than they, reveal their true nature which is not human, but nymphic (that is, demoniac) and these chosen creatures I propose to designate as nymphets.
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The lost glove is happy.
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Life is short. From here to that old car you know so well there is a stretch of twenty, twenty-five paces. It is a very short walk. Make those twenty-five steps. Now. Right now. Come just as you are. And we shall live happily ever after.
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By God, I could make myself bring her that economically halved grapefruit, that sugarless breakfast.
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Look at this tangle of thorns.
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Dear Jesus, do something.
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Nymphets do not occur in polar regions.
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My characters are galley slaves.
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