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In the current FIDE World Championship, on the knock-out system, weaker players have good chances. Those, who in a long match would practically have no chance, here may creep through.
Vladimir Kramnik
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Vladimir Kramnik
Age: 49
Born: 1975
Born: June 25
Chess Player
Writer
Vladimir Borisovich Kramnik
May
Match
Fide
Long
Current
Creep
Good
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Weaker
Would
Chess
Creeps
World
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Knock
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For me art and chess are closely related, both are forms in which the self finds beauty and expression.
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It made a big difference to my match stamina. I couldn't imagine I would have been so energetic during the match - it really gave me a welcomed extra boost!
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So basically it's very simple: to start with, if you want to win the match, you shouldn't be afraid of him. There are still many, many things to do, but above all this is the most important: Don't be scared of him!
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For us chess players the language of artist is something natural.
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It is rightly said that the most difficult thing in chess is winning a won position
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Only he, who penetrates into the depth of the game, can express his personality in it.
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Now, two years have passed and the situation is completely different: no one wants to organise this match.
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Computers have changed the world of chess.
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At some point he seemed to lose all confidence trying to break down the Berlin Wall. He was still fighting as only Kasparov can, but I could see it in his eyes that he knew he wasn't going to win one of these games.
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An impatient person plays differently than a more patient person.
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My very first book was a games collection of Anatoly Karpov. On the whole I was attracted by positonal play with some tactics, and already then I was aiming for universality.
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The development of beauty in chess never depends on you alone. No matter how much imagination and creativity you invest, you still do not create beauty. Your opponent must react at the same highest level.
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I believe every chess player senses beauty, when he succeeds in creating situations, which contradict the expectations and the rules, and he succeeds in mastering this situation.
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Even if you play perfectly, a fault of your opponent's can destroy the entire beauty of the game.
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Once he had selected the path he was going down he really had to stick with it in a 16 game match. He had to try and hit in the one direction but unfortunately for him - though fortunately for me! - he hit in the wrong direction.
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I made a better decision in choosing my team. Sure, I had a bigger choice of players to choose from - but I couldn't have asked for a harder working group of players who did an incredible job.
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In chess one cannot control everything. Sometimes a game takes an unexpected turn, in which beauty begins to emerge. Both players are always instrumental in this.
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Every top player has his own style, just as every painter has his own personal signature.
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But with the Berlin, I was able to allow him to get near, but not quite near enough, and I knew where to draw the line with the fortresses I had set up.
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Chess is a matter of daily training.
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