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Every single night I'm nervous. You never know how the audience is going to react.

Vivien Leigh

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Vivien Leigh
Age: 53 †
Born: 1913
Born: November 5
Died: 1967
Died: July 8
Actor
Film Actor
Film Actress
Stage Actor
Darjeeling (India)
Vivien Leigh
Lady Olivier
Vivian Mary Hartley
Leigh
Lady Olivier
Going
Every
Never
React
Nervous
Single
Audience
Night

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I think acting is an important profession, because acting can give you pleasure and can teach you at the same time, and that is a good thing.
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Fiddle-dee-dee. War, war, war. This war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides, there isn't going to be any war. . . . If either of you boys says 'war' just once again, I'll go in the house and slam the door.
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A lucky thing Eva Peron was. She died at 32. I'm already 45.
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I always know my lines.
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You know the passage where Scarlett voices her happiness that her mother is dead, so that she can't see what a bad girl Scarlett has become? Well, that's me.
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People think that if you look fairly reasonable, you can't possibly act, and as I only care about acting, I think beauty can be a great handicap.
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Classical plays require more imagination and more general training to be able to do. That's why I like playing Shakespeare better than anything else.
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In Britain, an attractive woman is somehow suspect. If there is talent as well, it is overshadowed. Beauty and brains just can't be entertained someone has been too extravagant. This does not happen in America or on the Continent, for the looks of a woman are considered a positive advertisement for her gifts and don't detract from them.
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On the road, they join the bedraggled remnants of a column of exhausted Confederate soldiers evacuating burning Atlanta. Rhett makes her take note of the scene: Take a good look, my dear. It's a historic moment. You can tell your grandchildren how you watched the Old South disappear one night.
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My parents were absolutely delighted that I knew what I wanted to do.
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Things are simple when you're going to die.
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I think any classical training in the theatre is of enormous value.
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Most of us have compromised with life. Those who fight for what they want will always thrill us.
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When I was at school at Paris, I had special lessons from Mademoiselle Antoine, an actress at the Comedie Francaise, and I was taken to every sort of play. I felt very grand.
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One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
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Comedy is much more difficult than tragedy-and a much better training, I think. It's much easier to make people cry than to make them laugh.
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My first husband and I are still good friends and there is no earthly reason why I should not see him. Larry and I are very much in love.
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My friends, when I was young, were always older than I was, and I've always liked them. And I love old men and old ladies, really. But I've known more elderly men, like Max Beerbohm, like Beranard Berenson, like Somerset Maugham, Winston Churchill-I'd put him first, anyway-what they say is so wise and so good. They know what they're talking about.
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I was sent successively to schools in France, Italy and Bavaria, and this erratic education was a great help afterwards.
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I loved fencing and dancing and elocution.
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