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Classical plays require more imagination and more general training to be able to do. That's why I like playing Shakespeare better than anything else.
Vivien Leigh
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Vivien Leigh
Age: 53 †
Born: 1913
Born: November 5
Died: 1967
Died: July 8
Actor
Film Actor
Film Actress
Stage Actor
Darjeeling (India)
Vivien Leigh
Lady Olivier
Vivian Mary Hartley
Leigh
Lady Olivier
Able
Classic
Better
Plays
Play
Training
Like
General
Playing
Imagination
Classical
Else
Shakespeare
Anything
Require
More quotes by Vivien Leigh
I've been a godmother loads of times, but being a grandmother is better than anything.
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I think acting is an important profession, because acting can give you pleasure and can teach you at the same time, and that is a good thing.
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Life is too short to work so hard.
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When I was at school at Paris, I had special lessons from Mademoiselle Antoine, an actress at the Comedie Francaise, and I was taken to every sort of play. I felt very grand.
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Most of us have compromised with life. Those who fight for what they want will always thrill us.
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People who are very beautiful make their own laws.
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You know the passage where Scarlett voices her happiness that her mother is dead, so that she can't see what a bad girl Scarlett has become? Well, that's me.
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I cannot let well enough alone. I get restless. I have to be doing different things.
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I will not be ignored.
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On the road, they join the bedraggled remnants of a column of exhausted Confederate soldiers evacuating burning Atlanta. Rhett makes her take note of the scene: Take a good look, my dear. It's a historic moment. You can tell your grandchildren how you watched the Old South disappear one night.
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One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
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Every single night I'm nervous. You never know how the audience is going to react.
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Scarlett: You should die of shame to leave me here alone and helpless. Rhett: You helpless? (laughs) Heaven help the Yankees if they capture you.
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I was sent successively to schools in France, Italy and Bavaria, and this erratic education was a great help afterwards.
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English people don't have very good diction. In France you have to pronounce very particularly and clearly, and learning French at an early age helped me enormously.
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My friends, when I was young, were always older than I was, and I've always liked them. And I love old men and old ladies, really. But I've known more elderly men, like Max Beerbohm, like Beranard Berenson, like Somerset Maugham, Winston Churchill-I'd put him first, anyway-what they say is so wise and so good. They know what they're talking about.
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My birth sign is Scorpio and they eat themselves up and burn themselves out. I swing between happiness and misery. I am part prude and part nonconformist. I say what I think and I don't pretend and I am prepared to accept the consequences of my actions.
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When I come into the theatre I get a sense of security. I love an audience. I love people, and I act because I like trying to give pleasure to people.
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I am going to be a great actress.
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I cannot let well enough alone. I get restless. I have to be doing different things. I am a very impatient person and headstrong. If I've made up my mind to do something, I can't be persuaded out of it.
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