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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.

Vivek Shraya

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Vivek Shraya
Election
Inspire
Especially
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Incidents
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Canada

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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
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I always work with text orally in the writing process, saying passages aloud to measure flow.
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
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My art career often feels less like an art career and more like a career in educating, usually by using my body.
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When I do book readings, I always incorporate music or singing.
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It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.
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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
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Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
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As a general rule, I tend to collaborate with artists whose work I admire.
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
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My intention was never to write a trans novel - which is perhaps an effective strategy for writing a trans novel.
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I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
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When I was writing, I wanted every word to be not only deliberate, but musical. Precious.
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