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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.

Vivek Shraya

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Vivek Shraya
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My art career often feels less like an art career and more like a career in educating, usually by using my body.
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I always work with text orally in the writing process, saying passages aloud to measure flow.
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I continue to explore poetry.
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
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Art can sometimes be separate from the artist.
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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When I was writing, I wanted every word to be not only deliberate, but musical. Precious.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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As a general rule, I tend to collaborate with artists whose work I admire.
Vivek Shraya
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As a person of color, I know race can't be stripped from admiration or preference.
Vivek Shraya
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
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