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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.

Vivek Shraya

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Vivek Shraya
Worry
Incidents
Since
Occurred
Given
Canada
Election
Inspire
Especially
Already
Trump

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My intention was never to write a trans novel - which is perhaps an effective strategy for writing a trans novel.
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As a general rule, I tend to collaborate with artists whose work I admire.
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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
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It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
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I always work with text orally in the writing process, saying passages aloud to measure flow.
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When I do book readings, I always incorporate music or singing.
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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I do use art as a site of protest, particularly in relation to dominant narratives.
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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
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I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
Vivek Shraya