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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.

Vivek Shraya

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Vivek Shraya
Art
Dedicated
Form
Oppression
Time
Significant
Misogyny
Forms
Artistry
Various
Supremacy
Including
Portion
White
Portions
Making
Addresses

More quotes by Vivek Shraya

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Art can sometimes be separate from the artist.
Vivek Shraya
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
Vivek Shraya
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
Vivek Shraya
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When I wouldn't leave home without my blue contacts or when I was bleaching my hair, I didn't have the language to articulate that I was trying to assimilate to whiteness. If anything, I was trying to look normal.
Vivek Shraya
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Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
Vivek Shraya
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When I was writing, I wanted every word to be not only deliberate, but musical. Precious.
Vivek Shraya
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
Vivek Shraya
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Music is my first love, where my artistic journey began.
Vivek Shraya
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I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya
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As a person of color, I know race can't be stripped from admiration or preference.
Vivek Shraya
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Vivek Shraya
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
Vivek Shraya
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
Vivek Shraya
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
Vivek Shraya
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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
Vivek Shraya
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I always work with text orally in the writing process, saying passages aloud to measure flow.
Vivek Shraya
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I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
Vivek Shraya
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya