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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya
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More quotes by Vivek Shraya
I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
Vivek Shraya
I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
Vivek Shraya
In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
Vivek Shraya
As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
Vivek Shraya
Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
Vivek Shraya
I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
Vivek Shraya
It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.
Vivek Shraya
I always work with text orally in the writing process, saying passages aloud to measure flow.
Vivek Shraya
I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Vivek Shraya
My art career often feels less like an art career and more like a career in educating, usually by using my body.
Vivek Shraya
I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
Vivek Shraya
I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
Vivek Shraya
I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya
As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
Vivek Shraya
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Vivek Shraya
My intention was never to write a trans novel - which is perhaps an effective strategy for writing a trans novel.
Vivek Shraya
My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
Writing about racism requires a directness that writing a love story does not.
Vivek Shraya