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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.

Vivek Shraya

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Vivek Shraya
Form
Oppression
Time
Significant
Misogyny
Forms
Artistry
Various
Supremacy
Including
Portion
White
Portions
Making
Addresses
Art
Dedicated

More quotes by Vivek Shraya

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Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
Vivek Shraya
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
Vivek Shraya
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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
Vivek Shraya
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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
Vivek Shraya
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Writing about racism requires a directness that writing a love story does not.
Vivek Shraya
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I always work with text orally in the writing process, saying passages aloud to measure flow.
Vivek Shraya
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When I wouldn't leave home without my blue contacts or when I was bleaching my hair, I didn't have the language to articulate that I was trying to assimilate to whiteness. If anything, I was trying to look normal.
Vivek Shraya
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
Vivek Shraya
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
Vivek Shraya
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
Vivek Shraya
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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
Vivek Shraya
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
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I continue to explore poetry.
Vivek Shraya
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Music is my first love, where my artistic journey began.
Vivek Shraya
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
Vivek Shraya
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I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
Vivek Shraya
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
Vivek Shraya