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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
Vivek Shraya
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Vivek Shraya
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More quotes by Vivek Shraya
I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
Vivek Shraya
I always work with text orally in the writing process, saying passages aloud to measure flow.
Vivek Shraya
As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
Vivek Shraya
If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
Vivek Shraya
I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya
Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
Vivek Shraya
I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya
When I do book readings, I always incorporate music or singing.
Vivek Shraya
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Vivek Shraya
I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
Vivek Shraya
I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya
Art can sometimes be separate from the artist.
Vivek Shraya
Music is my first love, where my artistic journey began.
Vivek Shraya
I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
Vivek Shraya
I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Vivek Shraya
My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
Vivek Shraya
I continue to explore poetry.
Vivek Shraya