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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
Vivek Shraya
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Vivek Shraya
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More quotes by Vivek Shraya
I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
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When I do book readings, I always incorporate music or singing.
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
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My art career often feels less like an art career and more like a career in educating, usually by using my body.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
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I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
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Writing about racism requires a directness that writing a love story does not.
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Art can sometimes be separate from the artist.
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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.
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I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
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When I wouldn't leave home without my blue contacts or when I was bleaching my hair, I didn't have the language to articulate that I was trying to assimilate to whiteness. If anything, I was trying to look normal.
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I continue to explore poetry.
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I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya