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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
Vivek Shraya
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More quotes by Vivek Shraya
Music is my first love, where my artistic journey began.
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
Vivek Shraya
When I do book readings, I always incorporate music or singing.
Vivek Shraya
When I was writing, I wanted every word to be not only deliberate, but musical. Precious.
Vivek Shraya
I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Vivek Shraya
I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
Vivek Shraya
Writing about racism requires a directness that writing a love story does not.
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It's exciting to consider how art, in its ability to reveal, can be ahead of the artist.
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
Vivek Shraya
I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
Vivek Shraya
Art can sometimes be separate from the artist.
Vivek Shraya
I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya