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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.

Vivek Shraya

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Vivek Shraya
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
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Writing about racism requires a directness that writing a love story does not.
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
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I continue to explore poetry.
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Art can sometimes be separate from the artist.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
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I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
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When I do book readings, I always incorporate music or singing.
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I always work with text orally in the writing process, saying passages aloud to measure flow.
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
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I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya