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Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.

Vivek Shraya

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Music is my first love, where my artistic journey began.
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Art can sometimes be separate from the artist.
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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
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My art career often feels less like an art career and more like a career in educating, usually by using my body.
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I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
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As a brown artist, I have mixed feelings about my relationship to art and my responsibilities post-Trump.
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
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I always work with text orally in the writing process, saying passages aloud to measure flow.
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
Vivek Shraya
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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
Vivek Shraya
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I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
Vivek Shraya