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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.

Vivek Shraya

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Vivek Shraya
Connected
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Anything
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More quotes by Vivek Shraya

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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
Vivek Shraya
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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
Vivek Shraya
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I worry about what Trump will inspire in Canada, especially given incidents that have already occurred here since the election.
Vivek Shraya
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
Vivek Shraya
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I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
Vivek Shraya
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Writing about racism requires a directness that writing a love story does not.
Vivek Shraya
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya
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I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya
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I have always considered the aesthetic of a project, including press photos, as a means to further the message of the art itself.
Vivek Shraya
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I don't yet know what style will be required for my next novel, but my sense is that each book will involve a new relationship to language.
Vivek Shraya
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
Vivek Shraya
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Making music has been connected to one of my greatest heartaches, because my own music has never quite connected with audiences. But it was this heartache that pushed me to explore other artistic avenues, like writing and filmmaking, and I ultimately feel most at home in a multidisciplinary environment.
Vivek Shraya
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I recently did a reading at an elementary school in Ottawa, and one of the children asked me if I was a girl. I said yes. Another child commented that I had a deep voice. I responded: Can girls have deep voices? There was a pause and then the group responded, Yes!
Vivek Shraya
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My intention was never to write a trans novel - which is perhaps an effective strategy for writing a trans novel.
Vivek Shraya
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I would love to see more dialogue around the responsibilities of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
Vivek Shraya
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I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then accidentally sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Vivek Shraya
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In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of multiculturalism.
Vivek Shraya
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
Vivek Shraya
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My art career often feels less like an art career and more like a career in educating, usually by using my body.
Vivek Shraya