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If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.

Vivek Shraya

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Vivek Shraya
Connected
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More quotes by Vivek Shraya

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Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
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Should I be collaborating with artists of color solely because of their race and my politics? This question is weighted with my own worry that I have been invited to speak or collaborate solely because of my race, and not because of my abilities.
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In poetry, I didn't have to provide resolution. I could ask hard questions without feeling responsible for the answers.
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I especially worry about the ways Canadians can be glib about our supposed difference from the US in our acceptance of diversity.
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Of course, I can't separate my queerness from my brownness - if anything, my queerness amplifies my brownness, and vice versa - but I spent so much of my early twenties trying to erase my differences, often without awareness of what I was doing.
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My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
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I have been and continue to be committed to art as a tool to ignite, comfort, and discomfort.
Vivek Shraya
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I continue to explore poetry.
Vivek Shraya
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I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
Vivek Shraya
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I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
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I do use art as a site of protest, particularly in relation to dominant narratives.
Vivek Shraya
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I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
Vivek Shraya
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I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
Vivek Shraya
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I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Vivek Shraya
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Art can sometimes be separate from the artist.
Vivek Shraya
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As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
Vivek Shraya
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Now is not the time for Canadians to be sanctimonious. It is time for us to be prudent and active.
Vivek Shraya
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I am always hesitant to call myself an activist, mostly out of respect for the activists who are using their bodies and voices to protest or activists online who are constantly engaging and educating others.
Vivek Shraya
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Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.
Vivek Shraya
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I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
Vivek Shraya